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To Evade Pre-Prohibition Drinking Laws, New Yorkers Created the World's Worst Sandwich

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It was everywhere at the turn of the 20th century. It was also inedible.

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Near the end of the 19th century, New Yorkers out for a drink partook in one of the more unusual rituals in the annals of hospitality. When they ordered an ale or whisky, the waiter or bartender would bring it out with a sandwich. Generally speaking, the sandwich was not edible. It was “an old desiccated ruin of dust-laden bread and mummified ham or cheese,” wrote the playwright Eugene O’Neill. Other times it was made of rubber. Bar staff would commonly take the sandwich back seconds after it had arrived, pair it with the next beverage order, and whisk it over to another patron’s table. Some sandwiches were kept in circulation for a week or more.

Bar owners insisted on this bizarre charade to avoiding breaking the law—specifically, the excise law of 1896, which restricted how and when drinks could be served in New York State. The so-called Raines Law was a combination of good intentions, unstated prejudices, and unforeseen consequences, among them the comically unsavory Raines sandwich.

The new law did not come out of nowhere. Republican reformers, many of them based far upstate in Albany, had been trying for years to curb public drunkenness. They were also frustrated about New York City’s lax enforcement of so-called Sabbath laws, which included a ban on Sunday boozing. New York Republicans spoke for a constituency largely comprised of rural and small-town churchgoers. But the party had also gained a foothold in Democratic New York City, where a 37-year-old firebrand named Theodore Roosevelt had been pushing a law-and-order agenda as president of the city’s newly organized police commission. Roosevelt, a supporter of the Raines Law, predicted that it would “solve whatever remained of the problem of Sunday closing.”

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New York City at the time was home to some 8,000 saloons. The seediest among them were “dimly lit, foul-smelling, rickety-chaired, stale-beer dives” that catered to “vagrants, shipless sailors, incompetent thieves, [and] aging streetwalkers,” Richard Zacks writes in Island of Vice, his book-length account of Roosevelt’s reform campaign.

The 1896 Raines Law law was designed to put dreary watering holes like these out of business. It raised the cost of an annual liquor license to $800, three times what it had cost before and a tenfold increase for beer-only taverns. It stipulated that saloons could not open within 200 feet of a school or church, and raised the drinking age from 16 to 18. In addition, it banned one of the late 19th-century saloon’s most potent enticements: the free lunch. At McSorley’s, for example, cheese, soda bread, and raw onions were on the house. (The 160-year-old bar still sells a tongue-in-cheek version of this today.) Most controversial of all was the law’s renewed assault on Sunday drinking. Its author, Finger Lakes region senator John W. Raines, eliminated the “golden hour” grace period that followed the stroke of midnight on Saturday. His law also forced saloon owners to keep their curtains open on Sunday, making it considerably harder for patrolmen to turn a blind eye.

The Raines Law took effect on April 1, 1896. Progressives scored its first weekend in action a bone-dry success. Bars closed Saturday at midnight; the liquor flow on Sunday slowed to a trickle. RAINES MAKES A THIRST, a New York World headline quipped. But while the teetotalers celebrated over lemonade, plenty of booze-deprived New Yorkers were fuming.

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Behind this lifestyle tug-of-war lay a cultural conflict of national proportions. Those in favor of the Sunday ban, generally middle-class and Protestant, saw it as a cornerstone of social improvement. For those against, including the city’s tide of German and Irish immigrants, it was an act of repression—an especially spiteful one because it limited how the average laborer could enjoy himself on his one day off. The Sunday ban was not popular, to say the least, among the city’s Jews, who’d already observed their Sabbath the day before.

Opponents pointed out that existing Sabbath drinking laws were hypocritical anyway. An explicit loophole had been written into the law itself: it allowed lodging houses with ten rooms or more to serve guests drinks with meals seven days a week. Not incidentally, wealthy New Yorkers tended to dine out at the city’s ritzy hotel restaurants on Sundays, the usual day off for live-in servants.

Intentionally or not, the Raines Law left wiggle room for the rich. But a loophole was a loophole, and Sunday was many a proprietor’s most profitable day of business. By the following weekend, a vanguard of downtown saloon-owners were gleefully testing the law’s limits. A suspicious number of private “clubs” were founded that April, and saloons started handing out membership cards to their regulars. Meanwhile, proprietors converted basements and attic spaces into “rooms,” cut hasty deals with neighboring lodging-houses, and threw tablecloths over pool tables. They also started dishing up the easiest, cheapest, most reusable meal they could get away with: the Raines sandwich.

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Law enforcement declared itself satisfied. “I would not say that a cracker is a complete meal in itself, but a sandwich is,” an assistant D.A. in Brooklyn told an assembly of police captains as the first Raines hotels sprouted up. Remarkably, the courts upheld these definitions of “meal” and “guest.” Reformers were understandably flabbergasted. The law itself was sound, Raines complained. It was the police and the courts that had made it laughable. He and his progressive allies had seriously underestimated just how far New Yorkers would go for a drink.

The court decisions were a turning point. With summer approaching, “Raines hotels” sprang up everywhere. By the next year’s election season, there were more than 1,500 of them in New York. Brooklyn, still a separate municipality at this point, went from 13 registered hotels to 800 in six months, and its tally of social clubs grew tenfold.

For the libertines of New York City, Zacks writes, the second half of 1896 was "too good to be true, a drunken daydream.” The hotel carve-out allowed drinks to flow at all hours. There was no obligatory last call, and the city’s liveliest drinking spots now offered cheap beds mere steps away. For Raines and the law’s other architects, this was the most alarming unintended consequence: their efforts to make New Yorkers virtuous had caused a spike in casual sex and prostitution.

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The state government ratified a set of clarifying amendments a year later. The free-for-all atmosphere faded, albeit slowly. Still, for years following the passage of the Raines Law, a general state of confusion and case-by-case dealings reigned. Following a wave of enforcement in 1902, hotel proprietors arrived at a creative solution: charging a premium for the obligatory sandwich. The Waldorf-Astoria went the classy route, offering unwanted meat patties instead, but the result was the same: a 50- or 100-percent markup to each drink ordered. The police seem to have appreciated the clarity of this arrangement. As long as Sunday drinking remained “an expensive luxury,” the Times suggested, its excesses would be tolerated by the average upstanding citizen. And for many a Sunday drinker, even some of the poorer ones, the inflated tab was preferable to risking arrest in an illicit backroom. Raines himself saw this as “the only compromise that is possible in New York.”

The Raines Law tussle continued well into the 20th century. The New York Supreme Court ruled in 1907 that a Sunday meal must be ordered and delivered in “good faith” for the accompanying drinks to be legal. Under pressure, brewers started refusing to supply Raines hotels. A new state excise law in 1917 contained a minimum-room requirement that effectively prevented the opening of new ones.

But the Raines Law debacle was merely a prelude for what was to come. New York reformers had long allied themselves with the Anti-Saloon League, a civilian organization with Midwestern origins that would morph into one of the most powerful pressure groups in U.S. history. By 1919, the efforts of the ASL made nationwide Prohibition the law of the land, putting an end to such quaint half-measures as the Raines sandwich and replacing the Raines hotel with the speakeasy.


70 Percent of the World’s Macadamia Nuts Came From One Tree in Australia

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Call it the Genghis Khan of macadamias.

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Last week, a shocking discovery rattled the relatively stagnant field of commercial macadamia nut research. The vast majority of the world’s commercial macadamia crops originated from a single 19th-century tree in the tiny town of Gympie in Queensland, Australia, according to a new study in Frontiers in Plant Science. It’s basically the Genghis Khan of macadamia nut trees, progeny-wise.

The researchers collected hundreds of DNA samples from macadamia trees in the trees’ native habitat in Queensland and compared them to samples of commercially grown trees from Hawaiʻi, which produces 70 percent of the world’s macadamia varieties. This comparison revealed that all of Hawaiʻi’s macadamias share distinctive markers with a tiny wild grouping of trees in Gympie, suggesting that all of the state’s modern crops were likely cloned out of a single Australian tree. In other words, 70 percent of the world’s macadamia varieties can be sourced back to a single tree or a couple of trees in Gympie, according to a statement from Craig Hardner, a horticulturalist at the University of Queensland and one of the researchers leading the study.

"A small collection of seeds were taken to Hawaiʻi at the end of the 19th century and historical records suggest that there was maybe six trees grown from that sample of nuts that were taken by Robert Jordan and planted in his brothers' backyard in the suburbs of Honolulu in 1896," Hardner told ABC News.

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Like many tree crops, macadamias are reproduced via grafting. So commercial orchards often contain thousands of trees but just a few individuals, according to the study. This remarkable lack of genetic diversity places macadamia crops at a higher risk of succumbing to disease or changes in climate than trees with a more diverse population, according to a report in The Guardian. In comparison, wild Australian macadamias boast a rich diversity despite their narrow habitat of subtropical forest, the study found.

Macadamias are no small affair for Queensland. In the 1860s, King Jacky, the Aboriginal elder of the Logan River Clan and the world’s first “macadamia nut entrepreneur,” was the first to commercially market the nut to settlers. The world’s oldest known cultivated macadamia nut tree, planted in 1858, still grows in Brisbane’s botanic gardens. In 2017, the nuts comprised 14 percent of the Australia’s horticultural exports, according to The Guardian. Queensland has paid fitting tribute to its nut-spreading legacy in the form of the Big Macadamia Nut. The nut, which stands 52 feet tall, is one of Australia’s 50 Big Things, which include other fruits such as a Big Bunch of Bananas and a Big Avocado.

Of the four wild macadamia species living in Queensland today, three are threatened and one is endangered, the study notes. While collecting samples, the researchers stumbled upon one tree grown in Hawaiʻi that they were unable to trace back to the wild. So they’ve asked local, would-be nut-spotters to get involved in identifying old, wild macadamia nut trees that could hold this missing genetic diversity. So if you happen by Queensland anytime soon and spot the telltale strands of green nuts hanging from a tree, send a leaf sample here and you may help preserve Australia’s fattiest wild nuts.

16 Real Castles That Make the World More Wondrous

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Atlas Obscura readers recommend their favorites.

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Castles! Visiting one can instantly make the world feel like a magical place. Whether it's a decaying ruin or a perfectly kept stronghold, a beautiful castle can inspire fantasy just as readily as it can provide a history lesson. Luckily, the world is home to so many castles and fortresses that it's almost impossible to have seen them all. We recently asked Atlas Obscura readers in our Community forums to tell us about their favorite castles, and their responses were royally awesome.

Take a look at a selection of some of the best castle recommendations below, and if there's a particular castle, fortress, or palace that fills you with a sense of wonder, head over to the Community forums to tell us about it and keep the conversation going. They're imposing, they're ostentatious, but above all, castles are just cool.


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Alcázar of Segovia

Segovia, Spain

“I think for me it would definitely have to be a castle in Spain, the Alcázar of Segovia. A couple of years ago I lived in Spain for a couple of months and was able to make a day trip by rail to Segovia and fell in love with the city. I have no idea if this is true, but it’s said that the Alcázar actually inspired Walt Disney to include similar looking castles in his animated films and eventually the ones at the various Disneyland parks. The Alcázar is such a strange looking castle, it looks fragile and ornate, especially if your eyes are more familiar with the Northern European Norman and Medieval castles which are huge, bulky monolithic constructions built with defense foremost in mind. But in the case of the Alcázar, looks are deceptive, because the design is based on a very successful concept of Moorish defensive architecture, and it would have been a very difficult place to try to besiege during a battle.” Monsieur_Mictlan


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Stirling Castle

Stirling, Scotland

“My favorite castle is Stirling Castle, in Scotland. Historic Scotland has their headquarters there, as they believe it is the best castle in Scotland. They have just completed a renovation of the royal suites, which involved hand-weaving new tapestries, which took something like 20 years to accomplish. I used to walk by it on my way to work, and the castle was a friendly companion, marking my way.”dmacknet


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Dunscaith Castle

Isle of Skye, Scotland

“Lived on Skye for a while. Lots of little castles for local lords. Most were built on the edges of cliffs, jutting out into the sea. Two or three story, single room castles with a ditch dug in front and wooden drawbridge. There was one at bottom of garden, almost totally ruined, but rich with primroses, bluebells, and heather. The best preserved was Dunscaith Castle, at Tarskavaig. Nothing fancy but very evocative of how hard and vulnerable life was then.” hilaryanderson


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Nimrod Fortress

Nimrod Fortress National Park, Israel

“I’m a big fan of the fortress of Nimrod in Israel. Nimrod Fortress. Also in Israel, and even weirder—as much UFO as castle—is Herodium.” davidplotz


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Craigmillar Castle

Edinburgh, Scotland

“As I live in Edinburgh, I have to give a shout out to Craigmillar Castle, the bastard child of Scottish castles. It would seem a vast amount of ink and blood has been spilt over fawning over the ‘Capital’s Jewel.’ Poor wee Craigmillar barely gets a mention and nary a footnote when it comes to recognising its place in the country’s history. Hopefully, the filming of Mary, Queen of Scots and The Outlaw King on its premises will change that. If you want to avoid the hordes of tourists and throngs of gift shops, then head out 20 minutes from the city center to amble freely to this fine structure with majestic views and hidden places to explore!” SEANETTA


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Chateau Laroche

Loveland, Ohio

“Ok, maybe not the greatest, but certainly unique and unexpected with a quirky story is the Loveland Castle. Also known as Chateau Laroche, it is located in the U.S. in Loveland, Ohio (a burb of Cincinnati).” jdsmith70


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Convent of Christ

Tomar, Portugal

“The Templar castle in Tomar, Portugal, is incredible.” jtyler


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Carrigogunnell Castle

Clarina, Ireland

“I’ve explored dozens of ruins over the years, of all of those, my hands down favorite has been Carrigogunnell in Ireland. Set out in a farmer’s field, it has seen no modern renovation or attempts at commercialization, but is still rich with spooky hallways, rooms, and stairways. One tower has a single remaining step from its original spiral staircase 10 or 12 feet up. Well beyond that, the stairs resume, in between there are openings to chambers that can no longer be accessed. With this, the ruin both satisfies and teases the imagination. My wife and I spent two hours exploring its cavernous interior, which over the centuries, nature has eroded into something between a man-made structure and a cave.” babblefu


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Arundel Castle

West Sussex, England

“Arundel Castle can be found on the south coast of England in between Brighton and the Isle of Wight. When I was there, I felt the knights could come galloping around the corner any minute. I felt I was stepping back in time. Magical!” bee9


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Neuschwanstein Castle

Bavaria, Germany

"No one has mentioned the most famous castle in the world, Neuschwanstein Castle, in Bavaria, Germany. It was used as the model for the first Disney Castle in California.” Beta


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Martin Castle

Versailles, Kentucky

“I always remember this place—spent some time growing up in U.S. and there was this wonderful place on the edge of Lexington, Kentucky. The story I was told at the time was it had been built by a rich couple, they’d divorced before it was finished, and it was then used as a pig farm. Glad to see it has been repurposed into a fancy venue for weddings and special events!” hilaryanderson


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Corvin Castle

Hunedoara, Romania

“One of my faves is Corvin Castle in Transylvania, Romania. One reason is, when I visited around 10 years ago, no one was there and I was able to roam around the castle with no people in sight.” RichStahlhut


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Hammond Castle

Gloucester, Massachusetts

“My favorite (only found because we were looking at AO during our trip) is Hammond Castle, just a short trip east from Boston and Salem and dramatically overlooking the Atlantic Ocean. Though created from buildings shipped across the ocean, it really was combined with excellent execution IMO.” KenJ


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Peleș Castle

Sinaia, Romania

“We’ve got quite a few castles in Germany, but I think the most beautiful is Peleș Castle, Romania.” phneuromancer


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Himeji Castle

Himeji, Japan

“One of the top three highlights of my month-long trip to Japan last year was visiting Himeji Castle, which is also actually the first castle I’ve really ever been to. It is absolutely stunning with its bright white exterior, and it’s incredible how much it has survived, including earthquakes and even being bombed in World War II. A bomb was even dropped right on top of the castle, but failed to go off! When I made plans to visit, I knew the castle would be gorgeous, but I didn’t expect how fun it would be to be able to explore inside the castle walls. As someone who isn’t very well versed in castle-related stuff, I found it fascinating. I would love to go again in cherry blossom season…” maren


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Belvedere Castle

New York City, New York

“New York City has a beautiful castle, smack dab in the middle of Central Park! Belvedere Castle has delighted millions of visitors and natives alike! The two towers in the background are not part of the castle but the beautiful spires of a Central Park West apartment building. Think Ghostbusters.” jpssuss

Responses have been edited for length and clarity.

Meet the Mastermind Behind the Plywood Cartoons Invading Portland, Oregon

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Bigfoot sightings are about to increase dramatically.

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If you’re cruising around Portland, Oregon, and come across across a six-foot-tall cut-out of Patrick, the pink, portly starfish from SpongeBob SquarePants, chances are good that Mike Bennett left it there for you to find.

For the past few months, Bennett has been busy with plywood, paint, and power tools, speckling his front yard and the city streets with playful, oversized figures. It all started after a snowstorm, when he was noodling over his collection of Calvin and Hobbes books that his parents had recently shipped to him and thinking about a scene where Calvin makes a big snowman. Bennett hadn’t had a front yard in years, and wanted to figure out how to make it fun. What if the delight of some mounded-up snow could last all year, and never run the risk of melting?

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He headed to Home Depot, came back with a jigsaw, and went to town on wood from a nearby ReBuilding Center. Bennett, who was once active on the short-video app Vine, where he recreated scenes from movies and TV with little paper dolls, began to fill the yard with pop-culture characters. “Familiar stuff brings more smiles to people’s faces,” he says.

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And then he took the show on the road—within reason. “I’m a pretty big baby when it comes to trespassing,” he says, and he’s also careful to avoid damaging property or plants. He’ll sometimes fasten his wooden characters to light posts, trees, or telephone poles with a few hooks and twine. His information is printed on the back of the figures, so if someone gets in touch to say that they want one to come down, he can swing by and grab it. (So far, he says, he hasn’t encountered any issues.) To make it easy to keep an eye on things, he installed them along the routes he tends to follow each day as he drives around for his day job as an assistant for a real estate company. “They’re my babies now,” he says. “I like to check in on them.”

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Bennett loves a good scavenger hunt, and invites people to go out looking for the figures he’s scattered around Portland. (He sometimes drops location hints on Twitter, Instagram, or Reddit.) Taking a cue from a geocaching log, he affixed a little form to the back of each one. There, visitors can jot down their name, the date, and a positive thought.

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Some of the signs also nod to culture and quirks that are more particular to Portland. The city famously hatched The Simpsons creator Matt Groening, and some of the show’s characters borrow their names from Portland streets. Bennett decided to play that up by installing a cutout of Homer’s chummy neighbor Ned Flanders on one corner of NE Flanders Street. When he saw the street sign and made the connection, Bennett thought, “What? Come on,” he recalls. It just seemed too perfect to pass up. He’s also setting his sights on slightly more out-there local lore. “Oregon being the way it is, we’re into Sasquatch,” he says. By August, he hopes to make more than a dozen Bigfoot cutouts, each sporting different proportions and fur colors.

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In the more immediate future, he’s planning to confetti the city with little cutouts of Diglett, the petite, pink-nosed Pokémon that sticks its head out of the ground. Bennett intends to make a brigade of the little guys—about 100 in all—with scrap wood he’s accumulated from his larger-scale figures. He’ll tamp them into dirt around the city over the course of June. Each creature will be about five inches tall, and anyone who finds one is welcome to adopt it and make their own yard or windowsill a little more wonderfully weird.

The Muslims Who Don't Fast During Ramadan

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Members of Baye Fall eat, cook, and deliver food in grand processions.

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It’s Ramadan in Touba, Senegal, and the road to the Grand Mosque is lined with sleepy storefronts. On the sidewalk, a merchant naps in the shade of a stall where he sells second-hand beanies, defunct AirPods, and wool socks. Behind a floral bed-sheet curtain, a Malian migrant fries up omelettes and frites in a small cafe. Boutiques that resemble bodegas advertise Kerine water, Fanta orange soda, and Coca-Cola to Muslims who will break their fast at sunset.

But amidst this sleepy, Saturday-morning scene, the Baye Fall, members of a Senegalese-Muslim sect, are hard at work.

Mbaye Thiame nudges his son Moustapha into the road to collect money alongside the older teenage boys. They extend wooden bowls into traffic, jangling coins theatrically to solicit donations. Idling drivers toss spare coins into the bowl.

Like many Baye Fall, Moustapha wears layers of checked clothing, his in black and while. According to his dad, the colors signify night and day. Some Baye Fall wear blue and white for the sky, or yellow and black for fortune. Others, like my guide and Wolof translator, Almane Badiane, wear a rainbow of colors and fabrics patchworked together into colorful coats.

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To unfamiliar eyes, the Baye Fall may look vaguely Rastafarian. The men wear their hair in long dreads, often scooped up into a beanie. Unlike many Muslims, the Baye Fall do not fast during Ramadan. In fact, they do not participate in many Muslim practices, such as praying five times each day or abstaining from alcohol. Many Senegalese view them as stereotypical hippies: likely to hang around a beach, exude chillness, maybe even share hashish or something similar.

But this image co-exists with a unique and central tenet of Baye Fall spiritual life: Instead of fasting or praying five times a day, they enact their faith through hard work and service to others.

So, once each year, they gather from across Senegal during Ramadan for a rousing and touching spectacle: They cook all day and, in a grand, musical procession, deliver that food to Touba’s largest mosque to feed fellow Muslims breaking their fast.

“We don’t come to Touba just because of our own feelings,” says Thiame. “We come to Touba because the marabout asks us to. Part of what it is to be Baye Fall is to follow.”

The marabout is the sect’s spiritual leader, endowed with authority by the founder Ibrahima Fall. That authority comes in no small part from a worldly source: undermining French colonialism. When Sheikh Ahmadou Bamba, creater of a Senegalese sect of Sufi Islam, was exiled for decades by the French for teaching pacifist resistance, it was Fall who ensured his influence only grew by financing Bamba and spreading his message. When he was allowed to return, Bamba honored Fall with the designation of Sheik.

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Both Bamba and Fall died almost a century ago, but portraits of both, as well as current marabouts, adorn taxis, living room walls, and the sides of car rapides, a type of local bus. For followers of both, Touba is their holy city.

Thiame has been coming to Touba for Ramadan since he was a child, more than 40 years ago. Now Thiame brings Moustapha, his wife, and the rest of his children each year.

Touba is a quintessential city of the Sahel, sitting squarely between the dripping humidity of the tropics and the burning heat of the Sahara. Nevertheless, hundreds of Baye Fall are camping out in tents on the marabout’s compound and preparing food for fasting Muslims, just as the marabout has asked them to. It’s a labor-intensive effort that repeats itself each day.

“There are many ways to participate,” Badiane says. “People stop all their activities to come to Touba to help cook. Other people help carry food. And other people help sing. And, of course, some people can just give more money. We as Baye Fall are called to come and serve.”

Outside his family’s blue camping tent, Thiame fans himself with a newspaper. He has sent his son off with the money they collected to the market. There, with other Baye Fall, they will buy ingredients for today’s meals.

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The work is gendered, as is the dress code. Because Touba is a religious city, home to what locals claim is the second largest mosque on the continent, drinking alcohol, smoking cigarettes, and listening to non-Islamic music is forbidden. Women are asked to cover their hair and wear a skirt. They also do the cooking.

For the women, the day is marked by two big meals: the followers’ meal for the Baye Fall in the early afternoon, and the ndogou, which is the meal they will deliver to the Mosque.

Those who don’t cook, both men and women, relax in the shade of the baobab trees, where they chat and drink rounds of cafe touba, cups of coffee spiced with guinea pepper and spoonfuls of sugar.

Back in the kitchen, Kine Thiame and Ellene Diop, direct the action. The followers’ meal is a classic Senegalese dish called thieboudienne. Today’s version is a modest mix of rice, black-eyed peas, cabbage, carrots, and onions.

In one corner, the women sit in small circles and dice the vegetables into plastic containers while teasing each other. In another, they simmer the rice and black-eyed peas over an open-flame. Diop shoos away a man who peeks his head in to ask when lunch will be ready.

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After serving lunch, the cooks start immediately on the ndogou, which is touffe chicken, cooked in an onion, ginger, chili, and mustard sauce, and served with thick cuts of potatoes. They’ve already butchered the chickens, which they keep at the compound, and women sing as they pluck feathers and slice potatoes. In a few quick, hot hours, the whole meal comes together.

“Baye Fall is like a dump full of garbage,” says Mamadou Fall, another member of the group. She is speaking with pride: In Senegal, like in a number of less-developed countries, trash heaps support entire communities of waste-pickers who find, repurpose, and sell recyclable rubbish. While not wealthy, Baye Fall are known for being generous and hospitable, providing acts of service such as assisting when Senegalese cities are hit by floods.

“We are humble like a dump, but we are very useful. We sustain Senegal.”

Shortly before 5 p.m., excitement bubbles up at the compound. The finished touffe chicken sits in large, wide-brimmed metal bowls. Boys who had been lounging at a nearby boutique file in. A man walks around with a large bowl of sweet powdered milk that people scoop into their mouths as a quick snack.

Then, all of the Baye Fall flood out into the streets. Traffic in both directions is forced to a standstill as the Baye Fall congregate on the road and sing the refrain of a call and response.

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As they parade to the Grand Mosque, the song courses through the crowd like the roar of a stream. The crowd moves like a stream too: It’s difficult not to be caught in its current. I’m nearly panting as I’m pulled along.

A special phalanx of Baye Fall carry the ngodou on their heads, preceded by a row of men carrying wrapped bags of bread. Their expression is serious and reverent.

When they arrive at the mosque, the Imam receives the ngodou and directs each bearer to deliver their bowl to a different neighborhood in Touba. The Baye Fall continue their singing and chanting as they depart and the late afternoon sun bears down.

In Senegal, it is not uncommon for Muslims of all orders to give out free food to help break the fast. In Dakar and Saint Louis, people hand out cafe touba, bissap (a hibiscus tea), and beignets at sundown. But the Baye Fall’s commitment goes beyond the friendly snacks common in cities. It’s a ritual and service; a daily offering of intense labor and community. And it embodies what makes them Baye Fall. Despite the day’s labor, they keep singing and dancing, exultant.

Central New Jersey Doesn't Exist, But Don't Tell Central Jerseyans That

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Exploring what makes a region distinct.

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Throughout its entire history, after European colonization at least, the land now known as New Jersey has been split into two parts. Before 1702, it was two territories, known as East and West Jersey, with a diagonal border between them. After it was united as a colony and then a state, it maintained almost that exact same diagonal border, forming two culturally distinct if not officially recognized regions: North Jersey and South Jersey.

Yet for the greater part of a century, some have insisted that New Jersey has a third region. These folks are, overwhelmingly, those who actually live in the alleged region, which lies along that old diagonal border. What is Central Jersey? And, more importantly, what does it mean for the people who claim to reside there?

The first Europeans to stake a claim in the land now known as New Jersey were the Dutch, followed by some Swedes in the southwest of the territory. That was all ceded to the English with the Treaty of Westminster in 1674. In that agreement, King Charles II acquired a strangely shaped piece of land between the Hudson and Delaware Rivers. He ended up giving it to two loyalists, Lord John Berkeley and Sir George Carteret. In 1675, Berkeley, finding the whole collection of taxes thing to be annoying, sold his western half to some Quakers for £1,000.

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For the next 30 years, there were two provinces: East Jersey, which was seen as an adjunct of the former Dutch land that’s now New York, and West Jersey, under the control of the Quakers, more closely tied to lands to the west, in Pennsylvania. Then as now, people argued over the actual borders between East and West Jersey; there were at least three major mapping projects, all of which ended up with a vaguely diagonal line that ran from Long Beach Island, on the Jersey Shore, to the Delaware Water Gap, give or take.

In 1702, East and West Jersey were united into one royal colony, named New Jersey, but the people of New Jersey have never really been convinced that their home colony, or state, is a single place. New Jersey maintained two capitals all the way until 1776: Burlington in the west and Perth Amboy in the east—even when these separate Jerseys weren’t supposed to exist. “It was still talked about as ‘the Jerseys’ even after unification,” says Patrick Murray, who has conducted polls about New Jersey for the Monmouth University Polling Institute.

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The Industrial Revolution gave New Jersey, by then a state, a bunch of successful small cities: Paterson, Camden, Jersey City. The 1900s saw the rise of several more: Newark, Trenton, Elizabeth. Some of these cities are pretty good-sized, too; Newark today has more people than Orlando. Modern New Jersey is the most densely populated state in the country: 47th in area, but 11th in population.

Despite that, New Jersey has never had—not in 1674, and not today—a singular hub city. From the moment King Charles II gifted a bunch of land to two of his toadies, New Jersey was defined by what it is not. It is not Pennsylvania, and it is not New York. It is the space in between the rivers, and immediately on the other side of those rivers are two huge cities, New York and Philadelphia.

The state today is so thoroughly shaped by its proximity to those two cities that, despite having nearly nine million residents, Nielsen does not consider it to have its own media market. The entire state is split between the New York City market and the Philadelphia market. There is, apart from a PBS station, just a single television station dedicated to New Jersey, and it is part of a network of small regional news channels, each of which covers a different section of ... the New York City media market. In New Jersey, even the most local television station is from New York.

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None of this is to say that modern New Jersey does not have its own culture, foods, language, attitudes, and sports—well, just a single team of its own left. (Thanks for the gift of the Brooklyn Nets! What a fun team.) But that culture exists within the orbits of New York City and Philadelphia, urban centers that have, not to be cruel, divided the state up. There is no linguistic difference between a New York City accent and a North Jersey accent, or a Philadelphia accent and a South Jersey accent. A great many New Jerseyans commute across one of the rivers to work in a city outside their state of residence. Sports fandom shows a clean division: Eagles fans over here, Giants fans over here. (Jets fans probably exist, too.)

They have distinct names for foods: Taylor ham/pork roll, sub/hoagie, Italian ice/water ice. Aside from that first one, which is a New Jersey creation, most of those other regional terms are borrowed from New York City or Philadephia.

Democrats control the state government, and have for a long time, but there are two factions of the New Jersey Democratic party, according to Murray. “The politics of the two places are fascinating,” he says. “South Jersey Democrats have a lot more in common with Democrats out in places like, say, Ohio, or Iowa, than they do with Democrats in Connecticut.” The South Jersey Democrats are noticeably more conservative than the North Jersey Democrats—in the same way that Philadelphia Democrats are more conservative than New York City Democrats.

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New Jerseyans do distinguish themselves by geographic region. This isn’t weird; the same thing happens in California, Texas, New York, and just about everywhere else. In New Jersey, that divide is typically into either North or South Jersey. In 2008, Murray conducted a poll in which he asked New Jerseyans to choose whether certain towns are in North Jersey or South Jersey. He specifically chose towns along the perceived border between North and South, and, incredibly, the results follow, almost exactly, the line that officially separated East and West Jersey in the 1600s. That same line separates Giants fans from Eagles fans.

But things got a little weird. The respondents in the poll were given only two options: North or South. And yet those who hail from right around the border made it clear that those options weren’t acceptable to them. They, and they alone, claimed those towns as Central Jersey. “Central” wasn’t even an option; they wrote it in.

I spoke to several people who self-identify as Central Jerseyans to find out what makes the region they claim as their own different from the rest of the state. That’s the definition of a region, right? There must be something—language, food, geography, clothing, anything—that a neighboring region doesn’t have. No difference, no region, right?

The Central Jerseyans were very good-natured about me saying they’re liars. “I get why people say Central Jersey doesn't exist,” says Brian Feldman, who grew up in Highland Park, near New Brunswick. “Because in my experience, where you're from in New Jersey is mostly defined by whether you're closer to Philadelphia or New York.” Feldman says that his hometown is within the orbit of New York City, but that it did not feel entirely defined by that association, the way a prototypical North Jersey town, like Hoboken or Newark, does.

“There is a type of person from North Jersey—we all watched The Sopranos—that's kind of a typical North Jersey person, and we in Central Jersey are certainly not like that,” says Corey Hersh, from East Brunswick. “I know Central Jerseyans like to call themselves Central Jerseyans, mainly because they don't want to be associated with the Philly culture of South Jersey and the New York culture of North Jersey.”

“My response is more a negative response than a positive one—it's like, ‘We're not this, we're not this,’” says Katie Baker, from Pennington, near Princeton. Baker says that growing up, she was in the Philadelphia orbit. “I do call them hoagies, because Hoagie Haven is in Princeton,” she says. “That kind of goes against my whole cred that I'm not South Jersey.”

Central Jerseyans—rather like their state as a whole—define themselves by what they are not. They are not bridge-and-tunnel North Jerseyans. They are not cheesesteak-eating Philadelphians from South Jersey. So what exactly are they? That’s harder to put a finger on. A couple of people told me that they get both Philadelphia and New York City television channels: two of each major network. That’s interesting and weird, but maybe not enough to define a region.

There is (I think) some self-loathing involved in being a Central Jerseyan. New Jersey is a wildly stigmatized state; surely no other state, at least outside of Florida, is so widely mocked. Nationally known depictions of New Jersey—The Sopranos, Jersey Shore, The Real Housewives of New Jersey, On the Waterfront, Garden State—represent North Jersey, and not in a particularly flattering light.

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Nationally, South Jersey has almost no pop culture profile, but it is still stigmatized—from within. As a Philadelphian who loves my home city but understands the national attitudes toward it, I’d suggest that South Jersey suffers from a double whammy: It is both New Jersey (bad) and Philadelphia (bad). “South Jerseyans really have animosity towards North Jersey,” says Murray, who is himself from South Jersey. “And what makes it worse for South Jersey folks is that North Jersey doesn't have animosity for South Jersey; they just think it's irrelevant.” South Jersey literally tried to secede from the state in 1980.

To say you’re from Central Jersey is to say, “Hey, whatever you know about New Jersey, that’s not me.” It’s a combination of pride and the acknowledgment of, or even agreement with, the negative view many people have of the state.

Yet negation is only half of a response. Take two small cities commonly claimed as Central Jersey: New Brunswick, on the outer edges of the New York City orbit, and thus North Jersey, and Princeton, on the outer edges of the Philadelphia orbit, and thus South Jersey. They must have something in common, right? Or is simply saying “Central Jersey” enough times enough to force it into existence?

There is one thing, at least. “I would say that it's almost entirely college towns,” says Miles Read, who grew up in Princeton. New Jersey has a startling number of colleges and universities, but most of the largest or best-known fall under the Central Jerseyan’s definition of Central Jersey. There’s Princeton, Rutgers, Monmouth, Kean, and the College of New Jersey, among others. Both North and South Jersey have colleges, but the towns they are located in—Newark, Edison, Camden—haven’t really become “college towns.” They’re too close to New York and Philadelphia to have distinguished themselves in that way.

But in Central Jersey, where the pull of New York and Philadelphia is real but faint, a college in town can more clearly define the character of an area; there’s something about having a town full of academia that creates an outsized influence. The schools serve as cultural centers, with art and music coming to what would otherwise be too small of a town for national cultural figures to bother with. They usually have walkable urban cores. Baker told me that, though she went to Philadelphia fairly often, her go-to place to hang out and walk around was Princeton itself.

I think this all contributes to the Central Jersey mystique. But in reality, there isn’t anything especially different about Central Jersey. Everyone I talked to could, fairly comfortably, convince themselves that they’re really from North or South Jersey. “I'm totally a Central Jersey defender, but I don't, like, disagree with anything you're saying,” laughs Baker.

“Maybe we didn't do a good job of carving out our own culture,” says Hersh.

“I have encountered this debate before,” says Feldman. “I’m not so stubborn as to not admit that they have a point.”

The Most Remote Places in Britain Are Still Pretty Close to Roads

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It's a reminder that there are vanishingly few places on Earth that don’t carry the traces of humans.

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If the guidebook could be believed, a tourist gamboling over England's Riggs Moor in 1891 could expect to be fairly alone there. The landscape around the sprawling, brown-green swath was stippled with mountain crags, slick with streams, and edged with ferns and blankets of heather and flowers. The whole place “slumbers in the peace of obscurity,” declared the Handbook for Tourists in Yorkshire and Complete History of the Country. The guide observed that “the head of the valley is rarely visited by the outside world.” The message rang loud and clear—this portion of England was pretty and untrodden.

Now, 128 years on, Riggs Moor sits alongside Yorkshire Dales National Park, and the British Ordnance Survey—which encourages people to get out an experience the countryside—reports that it is still the most remote place in England. But, as The Times recently reported, even the most “remote” places really aren’t.

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We are never further than six miles from a road anywhere on the mainland,” the paper noted, adding that Riggs Moor is only 2.4 miles from a local-access road. According to The Times, the most tucked-away spot in all of the United Kingdom is Fionn Loch in the Scottish Highlands. The nearest minor road is 5.7 miles away. (The Scotsman newspaper recommends a walking route that winds through heather and past a waterfall before arriving at the “lonely loch.”)

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On one hand, the statistic is a reminder that there are vanishingly few places on Earth that don’t carry the traces of what we humans have been up to. Our trash is everywhere, from the depths of Mariana Trench to the highest mountain peaks—and even when we’re not on the ground, the airplanes carrying our bodies and our goods roar over quiet landscapes, and our artificial lights pollute the sky and leave birds disoriented. Around the world, tracts of old, relatively untouched forests are dwindling, as are the parts of the ocean that count as marine wilderness.

But on the other hand, a place doesn’t need to be especially hard to access in order to feel ripe for wonder. If you look closely enough, there might be historical tales to excavate, or natural wonders to mull over and decode—whether you’re far off the beaten path, or following sets of well-worn footprints.

The Historic Treaty That Ended Navajo Imprisonment Has Been Returned

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One of just two copies thought to survive is back in Navajo Nation.

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In 1868, the Navajo signed a treaty with the U.S. government that ended several years of imprisonment and gave them the right to return to their homeland in the Four Corners region, where Utah, Arizona, New Mexico, and Colorado meet. Three copies of this treaty are thought to have existed. One was placed on file with the National Archives, where it remains to this day. Another was given to Barboncito, the last Navajo chief to surrender to military forces in 1866, and one of the signatories. Historians assume it was buried with him after he died in 1871. The third and final one—known as the “Tappan copy,” named for Indian Peace Commission member Colonel Samuel F. Tappan, who helped negotiate the pivotal treaty—had been missing for a century.

Tappan’s great-grandniece, C.P. “Kitty” Weaver, and her family discovered the well-preserved document in the attic of his Manchester, Massachusetts, home in the 1970s. But it wasn’t until last year’s 150th anniversary of the treaty’s signing—which Weaver attended, with the treaty—that she became aware what the document truly meant to the Navajo people, she told the Navajo Times. Weaver has since donated the treaty to the Navajo Nation. According to Navajo Nation Museum director Manuelito Wheeler, the acquisition of the original document is remarkable. “I’ve asked around, even asked the National Archives, and I can’t find a single other tribe that has their treaty … which is kind of interesting,” he told the Times.

The rare document will be on display at the museum, in Window Rock, Arizona, through June 7, 2019, for the 151st anniversary of its signing. The copy is roughly 13 pages—shorter than the version housed in the National Archives—which indicates that the Tappan copy is abridged, according to associate registrar at the museum, Ben Sorrell. “It has all the same stuff in it, but the language is shortened,” he told the Times. It is now believed that this was likely Tappan’s personal copy of an early draft.

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The 1868 treaty came after a long history of the U.S. government’s displacement of the Navajo (among many other indignities, injustices, and worse visited upon Native Americans). In 1863, the military destroyed the Navajo crops and livestock, and pushed them out of their native land. They were forcibly moved—an event known as the Long Walk—to the Bosque Redondo (which the Navajo called Hwéeldi) at Fort Sumner, New Mexico, where they were imprisoned for five years. Tappan and General William T. Sherman hoped to move the Navajo people to Kansas and Oklahoma, but the Navajos rallied for their Four Corners home. The successful return to this sacred, mountainous homeland was rare among the fates of Native American groups, and the treaty signifies the end of the Navajo Nation’s imprisonment.

Per an agreement between Weaver and the Navajo people, the Tappan copy must be housed in a climate-controlled box, and it cannot be sold or displayed for more than six months over the next 10 years. Today, the Navajo reservation is 27,000 square miles—the United States’ largest.


In Ancient China, Pet Crickets Spent the Winter in Opulent Gourds

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More than functional, these fleshy fruits developed into a striking art form.

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The imperial concubines of China’s Tang Dynasty (618-907) had a rather lively autumn tradition. According to ancient texts, as the weather cooled, they collected crickets and slipped them into tiny golden cages. “These… they place near their pillows, and during the night hearken to the voice of the insects,” describes the eighth-century book Kaiyuan Tianbao Yi Shi. “This custom was imitated by all people.”

That court ladies were cricket-catching influencers might be the stuff of legend, but people did begin domesticating crickets during the Tang to keep their songs close. The insect’s trill has long been beloved as an art; some Chinese people still keep crickets to this day. Notably, the practice led to new forms of craft from the Tang onwards: Artisans began designing containers that ensured the good health of their insect residents year-round. Before the introduction of modern materials like plastic, many crickets divided their time between a summer home and a winter home, like affluent retirees. Simple clay jars kept them cool in warmer months, but to beat the bitter cold, they needed a cozier shelter. And that’s where the gourds come in.

Gourds, it turns out, make for perfect winter forts if you are a small cricket. A good luck symbol in Chinese culture, a gourd, once emptied of pulp, can be dried and laquered to form a warm, heat-retaining cocoon. The cricket would rest on a mixture of lime and loam at the shell’s base; on especially cold nights, it might receive a cotton pad, according to the late anthropologist Berthold Laufer, who studied these dwellings. To keep them clean, owners would rinse them with hot tea.

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More than functional, cricket gourds developed into a striking art form. The fruits were grown in special clay or wooden molds, some of which are so ornate that they left intricate reliefs, from geometric patterns to landscapes, on the gourds’ flesh. Other gourds were painstakingly incised with a heated metal needle.

Laufer, a cricket breeder himself, learned about the unique gourd-growing process during a 1923 expedition to China. “The flowers are forced into the moulds, and as they grow will assume the shape of and the designs fashioned in the moulds,” he later wrote in Insect-Musicians and Cricket Champions of China, a leaflet published by the Field Museum in Chicago. “There is accordingly an infinite variety of forms: There are slender and graceful, round and double, cylindrical and jar-like ones.”

The anthropologist even pinpointed the method to a single location. The preferred gourd, he wrote, was “said to be a special variety of the common gourd (Lagenaria vulgaris), the cultivation of which was known to a single family of Peking.”

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Also known as calabash, this fleshy fruit had to be carefully grown not only for visual allure but also to boost acoustics. Lisa Gail Ryan, the author of a book exploring the cultural history of cricket-keeping, likens the shape of a gourd to that of a musical instrument, as it “determines the tone of the insect’s chirp.” Many are slender, easy to slip into a pocket to enjoy a private concert on-the-go.

Once dried, a gourd was also sliced near its top and fitted with a perforated lid to prevent escapes. Artisans spared no effort in producing elaborate covers, which were often made of tortoiseshell, coconut shell, sandalwood, or ivory.

The Minneapolis Institute of Art owns dozens of cricket gourds, all believed to date to the Qing Dynasty, which lasted from 1644 to 1911. Each has a cover carved with tiny designs featuring flowers, dragons, and other auspicious emblems. These are similar to decorations found on contemporaneous Chinese objects such as snuff bottles and jade carvings, says Yang Liu, the museum’s curator of Chinese art. “Many of these motifs acted as educational reminders for morality or religion, and they were related to Confucianism, Buddhism, and Daoism,” Liu says.

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The gourds are part of the museum’s larger collection of related paraphernalia that illustrates the Chinese practice of cricket-keeping. There are delicate accessories including mini bamboo or wooden cages, metal catching nets, and even painted porcelain feeding dishes that once served meals of cucumber, lettuce, chestnuts, and beans.

Other objects, such as cricket ticklers (slim rods used to incite the insects) and a cricket-fighting ring, are reminders of how the hobby eventually turned bloody. In the Song Dynasty, from 960 to 1279, cricket fighting emerged and thrived as sport, with insects forced to battle to the death. They were historically seen, Laufer wrote, as “incarnations of great warriors and heroes of the past from whom they have inherited a soul imbued with prowess and fighting qualities”—which is why some owners laid perished fighters in cricket coffins and tombs.

Whether for sport or for song, crickets are still collected in China, although their dwellings these days are typically mass-produced. The gourd-molding technique had petered out by the time Laufer penned his report—replaced, in his opinion, by “poor modern imitations.” Vendors at specialty markets today are more likely to sell crickets in bamboo baskets, plastic containers, and even toilet rolls that serve as makeshift tubes. These are certainly less beautiful to behold than elegant gourds, but they speak to the enduring value of the cricket’s chirp—still one of the most cherished sounds in Chinese culture.

Found: The First Film of a Total Solar Eclipse

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Taken by a magician, the fragment marks the oldest surviving astronomical motion picture.

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In the first year of the 20th century in North Carolina, a British magician captured the first-ever footage of a solar eclipse. The film, which lasts one minute and eight seconds, soon disappeared, and historians hunted for decades to track down this rare scientific marvel, to no avail. But on May 30, 2019, archivists from the British Film Institute and The Royal Astronomical Society announced the rediscovery of this monumental clip of the moon blotting out the sun. It is thought to be the oldest surviving astronomical film, according to a press release.

Although the film disappeared for over a century, archivists knew it existed thanks to an advertisement for its premiere placed in The Era, a Victorian trade paper that chronicled the events of British theaters, Bryony Dixon, the BFI’s silent film curator, wrote in an email. At least 80 percent of all films made in the early 1900s are now lost to time, Dixon says, so it was no surprise that the eclipse footage might have disappeared. “This was one of my most-wanted missing films from the early period,” she says. In 2018, when Sian Prosser, a curator at the RAS, called Dixon to ask for help identifying short footage of an eclipse, Dixon knew exactly what film had just been found.

The film is even more fascinating considering the occupation of its cinematographer, the famed British magician-turned-filmmaker Nevil Maskelyne, Jr. (To be clear, the astronomically inclined 19th-century magician Nevil Maskelyne, Jr. is not the same person as the 18th-century astronomer Nevil Maskelyne; oh, to live in a time when the name Nevil Maskelyne was the equivalent of John Smith!)

Magic ran in Maskelyne’s family blood, as his father, John Nevil Maskelyne Sr., ran Egyptian Hall, London’s oldest magic theater. To capture the footage, Maskelyne Jr. traveled to North Carolina in 1900 with his father’s telescopic camera equipment in tow, Dixon says. The film represents Maskelyne’s second attempt at documenting a solar eclipse. Just two years earlier, he traveled to Buxar, India, to film an eclipse, the footage of which was promptly stolen on his journey home. No information about Maskelyne’s equipment survives today, which Dixon chalks up to a healthy secrecy that would have accompanied a pending patent application.

But with whatever equipment he had, Maskelyne managed to capture the enormously challenging exposure changes that accompany an eclipse in progress. At totality, the diamond ring effect surrounding the corona of an eclipse affects an image’s exposure, Dixon told Live Science. Somehow Maskelyne changed the exposure of his camera’s aperture to capture how the corona looked as it faded back into the sun.

The footage was captured on 120-year-old celluloid, which had to be scanned and reassembled, frame by frame, to 35 millimeter film by conservation experts at BFI. After all, the footage was printed on cellulose nitrate, a hazardous material with a penchant for catching on fire. But this painstaking conservation process befits the careful creation of the film. “It’s complex to photograph an eclipse—so many things can go wrong,” Dixon says. “It’s the fearless ambition that impresses me most about the film, as well as the simple beauty of the image.”

You can watch Maskelyne’s historic short online above, and capture footage of your own as the next solar eclipse rolls around in 2024.

How Russia's Space Dogs Inspired a Galaxy of Swag

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The cutest little cosmonauts launched a zillion tchotchkes.

It is no small feat to become one of the few to travel in space. To stand a chance with NASA, for example, an applicant must have an undergraduate degree in engineering, math, or science, as well as at least three years of related work experience or 1,000 hours behind the controls of a jet aircraft—and nearly perfect vision (or glasses that get it there). In 2016, there were more than 18,300 human applicants vying for precious few seats. In the middle of the 20th century, as the Soviet space program ramped up, the job criteria were different: The missions called for candidates who were easygoing, telegenic, and no more than 13 inches tall. And they all had to be dogs.

Those qualifications were from a time when the American and Soviet space programs weren’t sure that any living thing could handle the journey beyond our atmosphere. So they sent animals up first. Fruit flies, monkeys, mice, dogs, and a chimp all reached space before humans dared to, in order to see whether it was possible to send a living thing off-world and bring it home unscathed. In many cases, it wasn’t. Some creatures were never intended to even attempt the return trip, and others died along the way or upon reentry. When the ethics of this form of animal testing were noted at the time, they were overshadowed by the geopolitical implications of the space race. And that attention made some of those early animal spacefarers into bonafide superstars. Perhaps none shone brighter than Laika, Belka, and Strelka, three dogs sent to space by the Soviet Union.

These pups, and the seemingly endless parade of merchandise that featured their little whiskered faces, are the heart of Space Dogs: The Story of the Celebrated Canine Cosmonauts. The new book pairs text by science journalist Richard Hollingham with photographer Martin Parr’s extensive collection of space-dog swag, collected through two decades of combing eBay and Moscow flea markets.

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Beginning in summer 1950, Soviet researchers enlisted potential canine cosmonauts by driving through the Moscow streets and plying strays with little bites of sausage. The most promising recruits were the right size, docile, light-colored, and female—an advantage partly because they wouldn’t feel compelled to lift their legs to pee, which could make a big mess in microgravity. The best among those were housed in a suburban mansion, where they underwent medical exams, plus simulations to mimic the noise, vibrations, and pressure they’d encounter during launch. The first space-mutt duo, Tsygan and Dezik, went for a suborbital flight in a capsule in July 1951 before drifting back to Earth via parachutes. They landed safe and sound, but Dezik died in another mission later that month.

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Several other dogs flew on suborbital flights throughout the decade, but Laika—a little pooch who was probably a husky-terrier mix—was the first to go into orbit, on Sputnik 2, and was the first cosmonaut to really fetch public affection. Her narrow face, flanked by golden stars, rockets, planets, and slivers of the moon, popped up on stamps, postcards, porcelain plates, clocks, watches, cigarettes, matches, and much more—anywhere there was room to plaster it. She was often depicted as Lenin was, Hollingham writes—chin slightly lifted, noble gazed fixed out on the horizon. Though the public didn’t know it at the time, Laika’s mission was always going to be one-way; the Soviets didn’t yet possess the technology to pull a spacecraft out of orbit and land it back on Earth. But on these pieces of patriotic propaganda, Hollingham notes, “the dog was presented as though she had known she was dying for an important cause: helping her masters conquer outer space.” Much later, at a press conference in 1998, Soviet scientist Oleg Gazenko expressed doubts about having dispatched Laika on a death mission. “The more time passes, the more I’m sorry about it,” he said.

Though she died within hours of being in orbit, probably from overheating, Laika proved that living creatures could withstand leaving the atmosphere and being in microgravity. In 1960, a duo named Belka and Strelka orbited the Earth 18 times and returned safely home, tails awag.

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When their paws hit the ground, the business of space-dog swag truly boomed. “Laika souvenirs had been popular,” Hollingham writes, “but Belka and Strelka took the commemorative space dog business to a whole new level.” The pair appeared on wall clocks, collectible coins, nesting dolls, porcelain decanters—including one shaped like a rocket, with their little heads poking out of portholes, as though they were riding in a car, ears flapping in the breeze.

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In a diplomatic power move, Nikita Khrushchev later sent the Kennedy family one of Strelka’s puppies, a dog named Pushinka (Пушинка), or Fluffy. She hit it off with Charlie, one of the Kennedy family dogs, and soon the White House had an international litter on their hands. More than 5,000 kids wrote in asking for one, and the “Red Space Dog’s grandpups,” named Streaker and Butterfly, eventually went to a Missouri boy and a girl from Illinois, the Associated Press reported. It’s hard to imagine a cuter space-dog souvenir.

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The last of the Soviet space dogs flew in February 1966, when Ugolek and Veterok spent several weeks in a windowless craft, while implanted heart monitors tracked the effects of longer spaceflight on their bodies. Ultimately, Hollingham writes, “the dogs helped enable the Soviets to establish space stations and, with the results of the experiment published around the world, added to NASA confidence in sending astronauts through the Van Allen [radiation] belts and to the Moon.” Though the era of the space dogs has ended, they haven’t been forgotten. A monument to Laika went up in Moscow in 2008, and Belka’s taxidermied remains can be seen at the Memorial Museum of Cosmonautics. Meanwhile, handpainted decanters and little porcelain versions of Belka and Strelka are available from the Museum of Jurassic Technology in Los Angeles.

In the several decades that people, plants, and pets have been orbiting our planet, landing on the Moon, or docking on space stations, one thing remains clear: Space is not an easy place to stay alive. Up there, fluids float freely, which means that human faces wind up swollen, with plugged sinuses, and plants are often either waterlogged or parched. Muscles and bones weaken from disuse, and without the buffer of our planet’s magnetic field and atmosphere, astronauts are exposed to intense radiation—sometimes likened to roughly 6,000 chest X-rays. How, exactly, truly extended spaceflight will affect biological tissues is an open question that scientists are working hard to answer, including by recently comparing the chromosomes, gene expression, and cognitive abilities of the astronaut Scott Kelly, who lived for nearly a year on the International Space Station, with those of his identical twin, Mark, who spent that time on Earth.

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Several countries and private companies have announced plans to shuttle many more people into the void of space in the coming years—and maybe even install some there for the long haul. That’s an idea that decades of research—from Laika to Kelly—have been building toward. If we do take that step, will our familiar, furry companions return to space, this time by our sides? NASA, which has ambitions to send people to Mars, recently released a fanciful poster showing a helmeted human and a canine pal standing atop a Martian dune. As journalist Marina Koren wrote for The Atlantic, it doesn’t make a ton of sense to schlep a pet dog to the red planet—there won’t be much to sniff, and the soil is too toxic to romp across. But it wouldn’t be a total surprise if we have dogs along on the next frontier of crewed missions. Only this time they wouldn’t be canaries in a cosmic coal mine, but rather companions to offer comfort in space’s cold, distant reaches. The next generation of space-pup swag would be exciting indeed.

Ancient Fingerprints Help Unravel Just Who Was Making Pots at Chaco Canyon

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New research shows it wasn't as gendered as once thought.

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The Ancestral Puebloans were a fixture in the Four Corners region of Utah, Colorado, Arizona, and New Mexico for centuries, from 100 to 1600. In Chaco Canyon in northwestern New Mexico, they built roads, dams, and huge living complexes known as “great houses” that could contain hundreds of rooms. They were also known for their pottery, and it was believed that the task of making it was exclusively the province of women, with techniques and designs passed down from mothers to daughters for centuries. However, new research published in Proceedings of the National Academy of Sciences suggests that when demand for pottery got especially high, Ancestral Puebloan men got in on the act as well.

John Kantner of the University of North Florida, lead author of the study, wanted to understand gender roles in the labor force and what they had to do with Ancestral Puebloan social systems. A student of his, David McKinney, who was working at a police station at the time, suggested that fingerprints might be as useful in this work as they are in forensics, so Kantner investigated. On the basis of a 2003 study showing that male fingerprint ridges are, on average, nine percent wider than they are on women, Kantner examined nearly a thousand shards of corrugated pottery from a site in Chaco Canyon. This style of pottery is made by pinching and coiling clay paste—a process that leaves clear fingerprint impressions. The researchers found that about 40 percent of the shards had fingerprints that appeared to come from women or juveniles, and as much as 47 percent seemed to have been made by men.

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Many of the pieces examined were created between the 10th and 11th centuries, which might suggest a reason that these men were getting their hands dirty (with clay). The time frame coincides with the growth of Chaco Canyon into the economic, administrative, and religious hub for the San Juan Basin. This might have caused an increase in the demand for ceramics in the surrounding communities. The shared labor responsibility appeared to last for more than 200 years. According to Kantner, the proportion of male and female prints varied over time and between different households, suggesting that pottery-making was simply not a very gendered practice at the time. “And if that’s true for pottery-making, then perhaps it’s also true for other kinds of activities,” he says, via email.

More research needs to be conducted to know for certain how these gender dynamics worked, and using ancient fingerprints can be tricky. But the study does highlight the need for researchers to reexamine the records made by colonial explorers and even earlier generations of archaeologists, who often imparted their cultural norms (with regard to gender and work, for example) onto the subjects of their observations. The same goes for our cultural norms today. According to Kantner, “Perhaps we can’t always assume that ancient societies were similar to us today. We often think of human societies as having a strong division of labor by gender, but perhaps that’s just the result of recent historical influences. Perhaps things were quite different in the past."

The Extraordinary ‘Cookbooks’ Left Behind by Prisoners of War and Concentration Camp Victims

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Their culinary legacies, written on scraps of paper or fabric, tell stories of hope and resistance.

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In 2005, the lauded French-Belgian author and playwright Éric-Emmanuel Schmitt was attending a salon in Moscow when a woman he met asked whether he would like to see “the most beautiful book in the world.” “I was hoping to be the one to write it,” Schmitt joked. But Schmitt’s interlocutor began to tell him about her mother, Lily, and Lily’s friends. They were Trotskyist resistance fighters, captured and sent to a Soviet gulag for campaigning against Stalin. These incarcerated women wanted to leave a legacy for their daughters, whom they might never see again. They pretended to smoke, and used the papers from their meager allotment of cigarettes to make pages for a message. But, paralyzed by the weight of leaving a legacy on just a few sheets of assembled paper, and fearful of losing space or pencil lead to a mistake, the women could not write anything at all. Until, one day, the most unlikely person in the group, the homely, timid Lily, started writing.

During their encounter in Moscow, Lily’s daughter told Schmitt she had the collected pages, stitched together into a notebook. Her mother was the first one out of the gulag, and hid the notebook by sewing it into her skirt. Lily and her comrades had since died, but the daughters sometimes met for tea and pored over “the most beautiful book” together. And on every page, tattered and ravaged by time and trauma, was a recipe.

In an English translation of his short stories, published in 2009, Schmitt provides this account of the encounter in an epilogue to the title story, also called “The Most Beautiful Book in the World.” The epilogue is written as if it's a real event, and it piqued the interest of French filmmaker Anne Georget. “When I read that story, it rang true to me. So I tried desperately to reach this famous author for confirmation,” she says.

With the help of a friend who worked at the Foreign Affairs office, she procured the guest list for the Moscow event. Another friend, influential in expat circles, located the woman Schmitt had spoken to. She was a French professor at a Moscow university. In the true origins of Schmitt’s fictionalized account, the recipes were written on fabric, and belonged to her ex-husband’s grandmother, Vera Nicolaieva Bekzadian. Bekzadian had been deported to the gulag in Potma, in 1938, where she spent a decade and compiled a series of recipes, with input from her fellow inmates.

Georget had previously made a documentary about Mina Pächter, a woman who died in a Nazi camp, and whose legacy for her daughter—also a cookbook—was memorialized in a 1996 book titled In Memory’s Kitchen. Georget’s made-for-cable French-language film, Mina’s Recipe Book, released in 2007. The filmmaker also published a book (in French) based on interviews and illustrations from the film. Soon after, she began receiving letters from private citizens saying they had relatives who’d maintained similar notebooks full of recipes in camps and prisons. “In all these testimonies, there were a lot of men involved in the writing of the recipes,” says Georget. “For me, the transmission from mother to daughter had been so important that I had missed this other part of the story.”

The story of “the most beautiful book in the world” is hard to imagine as anything other than a singular occurrence. However, across the world, in places that were once sites of torture, deprivation, and inflicted hardship—whether Nazi camps in Theresienstadt and Leipzig, or Chinese labor camps under Mao Zedong—men and women huddled together to find community by sharing and recreating favorite recipes from memory. They wrote in the dark, on scraps of fabric, on the margins of propaganda leaflets of the Third Reich, and in carefully concealed notebooks. Some of these places now house memorials; others have been destroyed, or their history covered up. But, in the coded language of food, these secret documents reveal their sordid history: diaries of ghostly recipes, from people haunted by tragedy.

In 2015, Georget premiered her film, Imaginary Feasts, a documentary that took over a decade to make and which explores this phenomenon. It profiles prisoners held in gulags, at Nazi concentration camps, and in Japanese prisons during World War II. Georget featured Bekzadian’s story in the documentary.

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Her previous film, Mina’s Recipe Book, tells the searing story of one of these fantasy cookbooks, written by prisoners from memory. The film begins with a voiceover rendition of Mina Pächter’s daughter, Anny Stern, answering a shattering phone call 25 years after her mother had died in Theresienstadt, a Nazi camp in Czechoslovakia. Stern had managed to flee Theresienstadt for Palestine, and eventually moved to the United States with her husband and son. In 1969, she was living on the East Side of Manhattan.

“Are you Anny Stern?” a stranger on the line asked. “I have a package for you from your mother.”

The package, when Stern finally mustered the resolve to open it, contained a picture of her mother with Stern’s son, a few letters, and a notebook of tattered pages, held together by rough stitching. In this notebook were recipes—of linzer torte, goulash with noodles, chicken galantine––compiled by her mother and the other women of Theresienstadt.

Theresienstadt (whose Czech name was Terezín) has been variously referred to as a German concentration camp, a transit camp, and a Jewish ghetto. Located just outside of Prague, the colony was presented as a model ghetto (some Nazis referred to it as the “paradise ghetto”), a sham example of the Third Reich’s purportedly ethical treatment of Jewish people. In a foreword to In Memory’s Kitchen, the book that inspired the film, Michael Berenbaum, a Holocaust scholar, writes that elderly Austrian, Czech, and German Jews who were wealthy or otherwise prominent were told they were being brought there as part of a “privileged resettlement.” Some even paid the cost of transportation, deceived into thinking they were being sent to a retreat. Jewish scholars, artists, scientists, and World War I heroes ended up in Theresienstadt.

From Terezín, they would either be deported to a death camp, or sent to other transit camps. Of the 144,000 Jews sent to Theresienstadt, 33,000 died on site and 88,000 were deported to Auschwitz. By the end of the war, only 19,000 remained at the camp. Of these, only 100 were children. As emblems of a continuing Jewish line, children went first to the death camps. A memorial and a ghetto museum now stand in Terezín, exhibiting the personal collections of former inmates. There’s a park on the grounds, which commemorates the children of the camp.

In these circumstances, it was already a miracle that Anny Stern and her young son made it out of the camp in 1939. And the marvel didn’t cease when her mother’s last gift, entrusted to a friend as Mina Pächter lay dying of malnourishment in a Theresienstadt hospital, finally reached her, having made a circuitous route through Israel, Ohio, and finally New York City.

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Michael Berenbaum, who served as the project director of the U.S. Holocaust Memorial Museum, describes the cookbook compiled by the starving women of Terezín as “a spiritual revolt against the harshness of given conditions.” He cautions against treating this document as something other than a vital historical artifact. “As such, this work—unlike conventional cookbooks—is not to be savored for its culinary offerings,” he writes, “[B]ut for the insight it gives us in understanding the extraordinary capacity of the human spirit to transcend its surroundings, to defy dehumanization, and to dream of the past and of the future.” Pächter’s cookbook, and other holdings of the Stern and Pächter family, now reside in the United States Holocaust Memorial Museum in Washington, D.C.

When survival depended on those who were strong enough to work despite abysmal conditions, the memory of food provided psychological succor. In Imaginary Feasts, Georget interviews a former inmate of Flöha, a concentration and slave-labor camp where prisoners built German Messerschmitt fighter planes. The food comprised mostly liquids, former detainee André Bessiere recalled: coffee in the morning, yellow gruel at night. There were 200 bowls for 700 men. This total annihilation of the body, of human dignity, was a calculated strategy of power. Because the detainees were dispensable labor, whose ultimate fate was the death camps, there was no need to nourish their bodies. “Starve them to death, you save the money for the food. They don’t have the capacity to resist,” said Berenbaum in an interview on Imaginary Feasts. “Whatever work you get out of them is a bonus.”

With trauma, language fails; there is never enough of it to give shape to the kinesthetic experience of horror. In the absence of language, these recipes offered a vocabulary of resistance, combating unspeakable deprivation with written narratives of nourishment. They also offered a vocabulary of safety, a comfortable memory of past meals, conveyed as hushed community ritual: a survival of the mind, when the body was on the brink of shutting down.

“It was a way to forget the conditions they were living in at the time,” says Roddie Stewart, whose father, the late Warren Stewart, wrote a similar diary of recipes while detained at a Japanese POW camp during World War II. “A way to go back to a better place and time, when they were with their families.”

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Sergeant Warren Stewart was an athletic sophomore at the University of Alabama when he enlisted in 1941. Deployed at different bases in the Pacific, Stewart was captured and loaded, with 2,000 other prisoners, into the cargo holds of what American POWs called a “Japanese hellship,” bound for the island of Kawasaki. Most of his cohort died during the 36 days they spent in the lightless, damp underbelly of the ship. “Japanese soldiers would lower little buckets with balls of rice, and that’s all they got to eat,” says Roddie Stewart.

At the Kawasaki labor camp, where he was held for 40 months, Stewart kept a neatly written journal detailing his daily meals: almost always rice with cabbage and carrot soup or noodles in pork and onion broth. But a different culinary world unfolded in the sergeant’s diary, where prisoners pitched in recipes for cream puffs, honey-drop cakes, cherry-date loaf, and pork tamales. An entire page of Stewart’s diary was dedicated to a list of sandwiches. It was almost as though the ritual of recall offered an escape of the mind, even as the body remained confined to the squalor of Kawasaki Camp 2B.

The late sergeant’s diaries are preserved in a locked safe in the Stewart house in Florence, Alabama. “It’s probably one of the most precious possessions I’ve got,” says Roddie Stewart, his voice breaking. “It reminds me of my father, of the man he became because of what he went through. He was more patient that anybody I knew, and had a love of life like nobody else ever had.”

Perhaps the only multi-cuisine “cookbook” written by incarcerated soldiers was the journal maintained by another American POW, Chick Fowler, during his time in Bilibid prison in the Philippines (where Stewart had also been detained briefly). Fowler’s aunt published his diaries as Recipes out of Bilibid in 1945. It contained recipes contributed by Fowler’s fellow war prisoners from their countries of origin. There were British recipes and American, Chinese and Mexican dishes, Italian favorites along with French, Javanese, and Filipino foods. In the absence of a common language, or common cultural coordinates, these imprisoned men turned to food fantasies as a framework of communication.

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It wasn’t only the myriad political upheavals of the Second World War that inspired this particular form of culinary resistance. Harry Wu, a political dissident in China who spent more than 19 years at Chinese laogai, or penal labor camps, recalls similar “food imagining” practices with fellow prisoners in China under Mao Zedong. In his memoir, Bitter Winds: A Memoir of My Years in China’s Gulag, Wu wrote, through his translator Carolyn Wakeman, that inmates took turns “presenting the others with elaborate descriptions of a favorite dish, sometimes a specialty of our native province, or a secret recipe from our family. We would explain in detail how to cut the ingredients, how to season them, mix them, and arrange them on the plate. We would describe the smell and then the taste.” Even though Wu had come from affluence and never cooked, he weaved evocative tales of how his cook made his favorite dish of pork spareribs. “Everyone would listen in silence,” he wrote.

Although most of the authors of these recipes are now dead, the horrific circumstances that produce these documents remain. In February, the Office of the Inspector General at the Department of Homeland Security published a report about a spot inspection at an immigrant detention center in Newark, New Jersey. The inspectors found the center had been feeding detainees rotten, moldy meat and bread, causing wide-scale food poisoning at the facility and leading to inmates filing complaints about food quality. “Hunger comes not only from the body but also from the spirit,” Wu wrote of his experience a half century ago. Across history, the distribution of food, its quality, and its withholding has been a calculated strategy of subjugation and a marker of whether those imprisoned are seen as worthy of respect.

Perhaps what we take away from these stories is not the recipes that saved some Jewish women, or American soldiers, or Chinese labor-camp detainees from physical and emotional annihilation. Instead, these stories come to us as testaments of the repetitive depredations of history. They show how, across different periods of time, and around the world, humanity has been negligent in its fundamental duty: to recognize the inalienable human rights of those deemed ‘other.’

Win a Trip to Experience Iceland's Hot Springs in the Winter

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Learn firsthand why the country is often called the "land of fire and ice."

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Traveling during winter to Iceland may seem counterintuitive. But one dip in the country's famed thermal pools and it’s clear why this Nordic country is one of the warmest winter destinations to visit. The country’s unique spa and bath culture, experienced against a backdrop of snow and ice, is like nothing else on Earth.

Public bathing is core to Icelandic culture, dating back to its original settlement, and remains integral today. These days, locals value their geothermal pools not only for their health benefits, but also for the natural energy they provide their country.

Experience the healing waters of Iceland for yourself on a trip courtesy of Iceland Naturally. Visit the Blue Lagoon geothermal spa in addition to dozens of other communal pools worth exploring. Consider Krauma, renowned for its year-round perfect temperatures, the Vök Baths, where a series of floating pools are situated in the lake, or the Kvika Foot Bath: a miniature pool and art installation located right in Reykjavik.

Iceland Naturally is sending 20 people to enjoy:

  • Round trip airfare on Icelandair
  • Accommodations for three nights at Hotel Nordica
  • Reykjavik City Cards granting access to Iceland’s thermal pools, museums, public transit, and various retail discounts
  • A basket of gifts from leading Icelandic brands, including Icelandic Glacial Water, Brennivin, Reyka Vodka and Icelandic Provisions
  • An expenses-paid visit to the Blue Lagoon geothermal spa

For more details, rules, and to enter the sweepstakes, click here.

You have until August 30, 2019 to enter. Good luck, and safe travels!

How an Irish Bog Got a Second Life as a Sculpture Garden

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At Lough Boora Discovery Park, visitors can meditate on the important role of these wetlands in Ireland.

In the middle of Ireland, about halfway between Dublin and Galway, a large rusting, yellow train sits on a track. Its engine is hooked to six cars and a tea hut caboose, dented from their years of hauling fuel that was sliced out of bogs. During their life as industrial mining equipment in the 1950s, the train cars were piled with carbon-rich black peat soil for the Irish company Bord na Móna. The tea hut caboose is where the company’s rail line workers took their break and had a drink. But that was back when this park was an actively mined peatland.

Seventeen years ago, the train found its final resting place and is now called the “sky train” by visitors who see it as they enter Lough Boora Discovery Park’s sculpture trail. Today, opportunities to birdwatch, fish, walk, and cycle along more than 20 miles of trails dotted with dozens of sculptures brings 100,000 visitors to Lough Boora Discovery Park each year. The history of Lough Boora Discovery Park before its days of art and trails provides an interesting lens into a part of Ireland’s landscape that has deeply shaped the Irish people and way of life: bogs.

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Cathy Kerwin, a 17-year resident of the community near Lough Boora Discovery Park, walks the wetland trails every morning with Jaxson, her Husky-Border Collie. She loves the natural quiet and the bird songs she hears along the trails.

“What I’ve discovered is that the sounds nature makes have the ability to quiet my mind,” says Kerwin. That peace along with the possibility of unique interactions with nature is what gets her out the door and into the park each morning.

“When a dragonfly landed on my hand for five minutes and I could look at it and hold it up to my face, I can’t put a price on the value of how I felt in that moment,” says Kerwin. She appreciates that the park in its post-industrial state attracts wildlife and many different types of birds to repopulate the formerly dry, barren peat soil.

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Before its transformation, Lough Boora Discovery Park was part of Bord na Móna’s Boora Bog Complex. Looking outside the boundaries of the park, the Boora Bog Complex is vast and industrial peat mining is ongoing. The park encompasses about 5,000 of the 25,000 acres that were drained, stripped of plants, and mined for peat.

Those acres were part of the 20 percent of Ireland once covered in peatlands, a wetland category that includes raised bogs, blanket bogs, and fens. Boora Bog Complex was a network of raised bogs, which are 10,000-year-old glacially formed lakes that over time filled with moss and swelled up into a dome. Bord na Móna drained them, deflating the dome by slashing it with long ditches to draw out water, and then mined the peat.

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Black peat soil is still ubiquitous in Lough Boora Discovery Park’s landscape, which used to be several feet tall in the stuff. You can grab a handful of peat and inspect its wet, organic contents, squishing thousand-year old moss remains with your thumb and finger. Rich black peat soil is a precursor to coal and it is Ireland’s most prolific fossil fuel.

Turf is what the Irish call peat when it is harvested to burn for fuel, something that has been documented as early as the seventh century in Ireland. For hundreds of years, it sustained the fire under kettles of potatoes in rural homes when an open fireplace was a central feature of thatched stone cottages. Bord na Móna (Irish for Turf Board) was established as a semi-state company in 1946 to industrialize the harvest of turf and use it to electrify Ireland. Turf continues to be a source of fuel in homes and power plants today in Ireland. In 2018, peat was burned by three power plants to generate seven percent of Irish electricity. As of 2016, 90,000 Irish households continued to toss turf into their stoves as their primary source of home heating.

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Two of Lough Boora Discovery Park’s tallest sculptures memorialize peat’s role as fuel, flexing toward the sky and mimicking the cooling towers of the decommissioned peat-burning Ferbane power plant. During peak mining, one million tons of Boora’s peat was removed each year to supply the plant and a nearby factory that made peat briquettes for home use. A few hundred feet down the trail from the sculpture towers, the old steel “tippler,” a huge cylinder that dumped load after load of peat-filled train cars into a stockpile at the power plant, is now an outdoor shelter. Covered in native plants, the tippler’s roof pays simultaneous homage to the ecosystem that used to live here and the industrial inventions that scraped it away.

Plants, including acid-loving sphagnum mosses and the carnivorous sundew, and birds such as the ground-nesting curlew, need the bogs to survive but the habitat is dwindling. Across Ireland, around 85 percent of peatlands are in degraded ecological condition. Less than one percent of raised bogs, the type mined at Boora Bog Complex, are still actively growing.

“We need to start appreciating what we have before we don’t have it anymore,” says Kerwin.

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Though they are ecologically special places, Irish people have long considered bogs especially challenging spaces. “In the distant past, peat landscapes were both feared and respected as wilderness areas and often link to traditional culture, rituals, and worship. In modern times, peatlands have commonly been treated as wastelands that are of no use unless they are drained or excavated,” states an Irish Environmental Protection Agency report about bogland management.

But this perspective is slowly shifting. Since the 1980s, the Irish Peatland Conservation Council has called for the preservation of Irish bogs. The organization wants to protect unique habitats and ensure bogs continue to play their important role in Irish water systems for filtration and flood control. The council also hopes to keep the vast amounts of carbon in bogs from becoming harmful emissions. Globally, though peatlands cover only three percent of land, they store at least a third of the world’s soil carbon. That is more carbon than all plants combined, including carbon held in rainforests.

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That carbon, which allows peat to function as a fuel, also makes it important in the climate change conversation. While waterlogged, Irish peatlands were a stable carbon store for thousands of years. When drained, they began releasing their carbon. An article published in the scientific journal Irish Geography in 2013 found that emissions from drained Irish peatlands are equal to annual carbon dioxide emissions from the entire transportation sector in Ireland. One of the article’s authors, Flo Renou-Wilson, a peatland scientist at University College Dublin, says though biodiversity increased at the Boora Bog Complex when a section was converted to Lough Boora Discovery Park, its peat soil is still releasing carbon dioxide because it hasn’t been fully re-wetted.

“If the water table remains low in the soil profile, drained peatlands are large emitters,” said Renou-Wilson.

New community-led projects have emerged in the last 15 years that offer a spark of hope for Irish peatlands. A new Irish organization called the Community Wetlands Forum formed in 2013 and supports projects that rehabilitate and care for their local bog. The forum’s membership includes 20 communities. There is also a government-funded Irish program called The Living Bog, that has singled out 12 raised bogs, the type formerly present at Lough Boora Discovery Park, in order to do intensive ecological restoration.

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Lough Boora Discovery Park’s own rehabilitation was guided by Bord an Móna employee Tom Egan, one of the park’s creators. Egan arrived to the company 39 years ago, just as some of the mined bogs were depleted of harvestable fuel. He spent his career trying out different types of agriculture and forestry crops on their blank, black canvas, all of which struggled to thrive in low-nutrient peat soil.

“I came here in 1980 and quite literally came into a black landscape—quite ugly, industrially ravaged,” says Egan. A few years after he arrived, he noticed that one area called Turraun, which they had left alone since the mining on it ceased, was recolonizing with a wide diversity of wild plants and birds. That observation planted the seed for Lough Boora Discovery Park. After studying its potential as a recreational area, Bord na Móna established the park, which includes Turraun wetland in its boundaries. Today, the park hosts more than 270 plant species and more than 130 bird species, including overwintering migratory birds such as the Icelandic whooper swan and threatened birds such as the native grey partridge.

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A few hundred feet down the sculpture trail from the rusting yellow train, the Japanese sculptor Naomi Seki posed a question with her creation. She planted a living birch tree next to a long wooden arm that stretches up to the sky. The explanation of her work on a plaque nearby states: “We finally learned to live and let live. When will the tree grow taller than the sculpture?” The sculpture was completed in 2002, and today, the tree’s height has reached beyond the wood.

“The most fascinating thing for me is what nature has done, how nature has transitioned that ugly landscape to what it is today,” says Egan.

This park in the heart of Ireland is a re-imagined post-industrial place that has been celebrated as one of Europe’s best sculpture parks. Egan says the evolution of Boora Bog Complex from an industrial landscape to a recreational one isn’t fully explained to park visitors. He hopes signage and other interpretive elements will be added to the park in the next five years to share that history. The bog’s journey continues.


18 of the World's Most Delightful Airport Features

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Atlas Obscura readers share their favorite places to kill time while waiting for a flight.

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There was apparently a time, in some far-off age, when commercial air travel was exciting and fun. Today, it's easy to understand why most people now feel that airports are dreaded prisons of bureaucracy and inconvenience. And yet, even as airports have turned decidedly toward the dystopian, one can still find awesome surprises in bustling terminals across the globe. We recently asked Atlas Obscura readers in our Community forums to tell us about the most wondrous attractions they've ever encountered in an airport, and their responses made us want to arrive for our flights even earlier than before.

From psychedelic neon tunnels to sandy beach runways, our readers sent us a first-class selection of unbelievable airport features. Take a look at some of our favorite recommendations below, and if you have an incredible airport oddity of your own that you'd like to share, head over to the forums and keep the conversation going! Flying might not seem as wondrous as it once was, but airports can still amaze.

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Samson Luggage Sculpture

Sacramento International Airport (SMF)

“These fantastic pillars of luggage in baggage claim at the Sacramento Airport are a wonderful example of environmental-friendliness: reuse, reduce, recycle.” AnyaPH


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Renaissance Books

General Mitchell International Airport (MKE)

“Mitchell Field in Milwaukee has Renaissance Books—used and rare books. If you didn’t pack sufficient reading material, this is the place to get a good book. When I lived in the northern part of Illinois, I’d always use Mitchell when I could, not least because of Renaissance Books.” JLP60615


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Recombobulation Area

General Mitchell International Airport (MKE)

“In Milwaukee, after you take off your shoes and belt to go through security, put yourself back together in the ‘Recombobulation Area.’” pinchanygo


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Mudra Sculptures

Indira Gandhi International Airport (DEL)

“First trip to India (#AtlasObscura) in March. Blown away by wall-to-wall metal discs and beautiful hand mudras in the Delhi Airport.” marys826


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'Sky's the Limit'

Chicago O'Hare International Airport (ORD)

“Chicago O’Hare has a fantastic tunnel between terminals. Which I personally think they need to hang gold coins above to complete the video game chic.” Bumpy


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The Yellow Submarine

Liverpool John Lennon Airport (LPL)

“Always loved this yellow submarine outside John Lennon Airport in Liverpool. Built by one of the biggest ship builders in Liverpool (Cammell Laird), it even contains genuine submarine equipment on the inside." ollieclark96


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TWA Hotel

John F. Kennedy International Airport (JFK)

“JFK Airport in New York has a new spectacular oddity! The historic TWA terminal, designed by Eero Saarinen, has been turned into a hotel (an oddity in itself) and they’ve now adorned it with a restored Lockheed Constellation L-1649A, known as ‘Connie.’ It’s one of only four of these aircraft remaining in the world.” Philip_Shane


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Beach Runway

Barra Airport (BRR)

“Landing on the beach in Barra [in Scotland] is pretty special.” Kenneth_Wardrop


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Laminar Flow Fountain

Detroit Metropolitan Airport (DTW)

“The fountain in DTW Terminal A is also very interesting. In a city known for engineering, the fountain employs a few cool engineering features. The water jets come from laminar flow nozzles, so it looks like noodles or little hot dogs of water jump across the fountain surface. Water flows over the entire edge of the circular fountain, but instead of having a sharp edge for the water to fall over, the fountain curves back underneath itself. Surface tension causes the water to cling to the surface, so it appears that the water is defying gravity. I always chuckle when I see people leaning up against the fountain edge, only to walk away with a wet line across the front of their pants.” tiretester


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Light Tunnel

Detroit Metropolitan Airport (DTW)

“Detroit’s airport (DTW) is my favorite place for a layover. Airplane travel can be harsh and disorienting, but Detroit’s rainbow tunnel is truly restorative. The rainbow tunnel (possibly not its official name) connects the airport’s two terminals via an underground passageway lined with frosted glass and slowly changing multi-colored lights, while some soothing music plays. That might sound crushingly hokey, but it’s such a welcome reprieve from the usual airport-as-mall experience. Plus, you kinda have to go through it to change terminals, so you might as well enjoy it! It has a moving sidewalk, but I always just walk so I can spend more time there. There are other nice things about Detroit Airport (I like the fountains, trees, and birds too), but the rainbow tunnel is what makes me happy to pass through.” latourex


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'Iron Feathers'

Will Rogers World Airport (OKC)

“Outside of Will Rogers Airport in Oklahoma City are four 70’ long steel arrows, rusting in the sun.” tzircher


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Baggage Claim Polar Bear

Svalbard Airport (LYR)

“A taxidermied polar bear at the baggage claim in the Longyearbyen, Svalbard airport?” penelopeashe


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Lord of the Rings Features

Wellington International Airport (WLG)

“I love the Lord of the Rings theme at Wellington Airport in New Zealand.” Taz_Coronado


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'Flight Paths'

Hartsfield-Jackson Atlanta International Airport (ATL)

“The forest walk between Concourse A and B at Hartsfield-Jackson Airport in Atlanta.” zamand


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The Gardens

Singapore Changi Airport (SIN)

“The Changi Airport in Singapore is almost a destination in of itself. [There’s a] butterfly hatchery in the butterfly garden, one of many gardens throughout the airport. There’s a water lily garden; a sunflower garden on one of the rooftops where you can grab some snacks and watch planes among hundreds of sunflowers; a fantastic cactus garden; an orchid garden; an arrival garden… Throughout are major art works, some are interactive. Very social media friendly.” tpalms


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Bamboo Tunnels

Deputado Luís Eduardo Magalhães International Airport (SSA)

“I particularly love this bamboo archway that welcomes you to the city of Salvador [in Brazil] right after you leave the airport (Deputado Luís Eduardo Magalhães International Airport). There’s one road leading in and one leading out—and yes, they’re both under individual bamboo arches.” ravelmarques


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Runway Crossing

Gibraltar International Airport (GIB)

“The most bizarre thing I’ve seen at an airport is in Gibraltar. To enter or leave the country by foot, car, or airport transfer, you have to cross the runway. When a plane is preparing for landing or take off, the barriers go down, traffic stops, and the runway is cleared.” PinkyPea


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Tintin's Rocket

Brussels Airport (BRU)

“Brussels is a glorious experience for anyone who loves The Adventures of Tintin. Hergé’s hero is everywhere (along with other Franco-Belgian comics icons like The Smurfs) and that extends to the airport. Before you blast off back home, admire the rocket from the Destination Moon and Explorers on the Moon albums…” JamazingClayton

Responses have been edited for length and clarity.

Solved: A Case of Mistaken Identity in a Madrid Art Museum

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Auguste Rodin takes his rightful place in the portrait gallery, evicting King Leopold II of Belgium.

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Luis Pastor wasn’t trying to prove anyone wrong. He was just trying to enjoy some alone time at one of his hometown’s museums, while visiting his parents in Madrid. Out for a walk, the graphic designer wandered into the small Lázaro Galdiano Museum, where he instantly knew that something was amiss when he saw a familiar face.

In the museum’s miniatures room, Pastor saw a portrait of one of his favorite sculptors, Auguste Rodin. It’s a visage with which Pastor is quite familiar: While in school, he told The Guardian, he had been “obsessed” with the sculptor, and over the years he has visited the Rodin Museum in Paris many times. So you can imagine Pastor’s confusion when he read the portrait’s caption, which identified the figure as King Leopold II of Belgium.

Pastor, who is 39 years old and currently living in Luxembourg, was so sure he was looking at Rodin that he thought he had misread the caption. While still in the museum, he began googling Leopold—who is remembered primarily for presiding over a genocide in the Belgian Congo. While the two men clearly shared a resemblance, Pastor couldn’t shake the feeling that this was a case of mistaken identity, and he resolved to get to the bottom of it.

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As his art historian friends gently expressed their skepticism, Pastor persisted—encouraged by differences he noted between the two men’s eye colors and ear shapes, and by the short haircut in the portrait, much like Rodin’s own hairdo. He shared live updates of his investigation’s progress on Twitter, and within a few days the museum officially adopted Pastor’s position. On June 4, 2019, the museum confirmed that, after conducting extensive comparative analyses of portraits of both men, it was Rodin on display in their miniatures room, not Leopold.

For Pastor, a major point of pride in correcting the record comes from knocking Leopold off his pedestal in the portrait hall. Before the museum confirmed that the portrait was of Rodin, Pastor had tweeted that he hoped it was—if only because Leopold was a genocidal ruler.

Pastor predicts that future controversies won’t require as much personal effort in order to be resolved. In a written message, he said that facial recognition technology will surely be applied to similarly perplexing portraits going forward.

The Surprising, Overlooked Artistry of Fruit Stickers

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Kelly Angood curates an online museum of little, adhesive marvels.

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Some of the world’s best, most surprising graphic design can be found in one of the most mundane places: your local supermarket. Nestled among pyramids of plums and bagged bunches of bananas, are tiny works of art. Welcome to the world of fruit stickers. In much of the world, especially in large American supermarkets and chain stores such as Walmart, the stickers simply advertise somewhat ubiquitous brands—think Chiquita or Dole. But in the United Kingdom (and other places), smaller greengrocers carry produce plastered with tiny, hyperlocal stickers that bear the logos and art of smaller farms, growers, and distributors. When most people encounter these stickers, it’s only to peel them off and try, often unsuccessfully, to flick them into the trash. But Kelly Angood sees something else in them, and peels them carefully off before adding them to her collection of hundreds—spanning countries, decades, and a dizzying variety of fruit.

Angood, who works as a graphic designer in London, started collecting fruit stickers in the 1990s, on sort of a whim. She stuck the stickers all over when she found them, on the backs of notebooks or on whatever flat item she happened to have on her. As the years passed, her collection sprawled. She began putting her finds neatly on white printer paper, dozens of stickers per sheet, and soon had enough that she decided to start posting the best on Instagram. @Fruit_stickers hosts a beautifully curated selection of close-ups. She frames each against a flat white background, more like an art gallery than where you might encounter these easily overlooked marvels of design in the wild.

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The first person to put stickers on fruit on a commercial scale was Tom Mathison, a produce farmer in Washington, according to his obituary in Produce Processing, an industry trade magazine. He put stickers on his apples to brand them with the name of his farm, and eventually added a ladybug logo to signal their organic origin. He saw them as a potential marketing strategy for grocers and growers, as a way to communicate the quality of a piece of fruit. “You’ve got a banana, an apple, an orange. As a consumer, how are you supposed to tell the difference from one to another?” Angood says. “The only way is a tiny sticker that is associated with being a sign of quality and consistency within that grower.”

Now, produce stickers—not just for fruit any more—are commonplace worldwide. In several countries, they are highly regulated to help supermarkets control inventory and consumers learn more about their choices. This regulation exists in the form of numbered PLU codes, set by the International Federation of Produce Standards. Growers use PLU codes in the United Kingdom, the United States, Chile, Canada, Australia, Norway, and New Zealand, under the same standard set of rules. If a PLU code begins with a 9, for example, the fruit is organically grown. If it begins with a 48 or 49, it indicates herbs. The codes make for a more seamless shopping experience, but they occupy valuable real estate that could have otherwise gone toward design. As a result, the most aesthetically appealing fruit stickers, Angood explains, are often the ones that come from the least regulated places. But while the PLU system governs stickers within the countries that use it, fruit moves elsewhere around the world in more wanton ways, so produce sections anywhere can carry purely decorative stickers or fruit that goes completely sticker-less.

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Angood’s collection is dominated by fruit you can buy for sale in London—which is to say, the stickers come from all over the world, since very few exciting fruits grow naturally in Britain. She picks up any stickers that catch her eye aesthetically, perhaps with an unusual color combination or flashy typography. She rarely actually buys the fruit attached to the sticker, but she says vendors never seem to mind, as one stickerless fruit has little effect on the store's ability to sell produce. “I lived next to a greengrocer, and they knew the score,” Angood says. “It’s more awkward to ask.” She has never managed to successfully trace the designer of any of sticker she’s collected, but then again, there are probably an awful lot of them.

In the world of fruit stickers, according to Angood, citrus is one of the best canvases. Her favorites are the green stickers she finds often on tangerines while on vacation in Valencia, Spain, that resemble the fruit’s leaves. “It’s almost alluding to its natural state,” Angood says, adding that the stickers typically bear the grower’s name on the leaf. She finds these more memorable, almost because they take the unusual advertising tack of trying to blend in.

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Other stickers are arguably less artistic and certainly less subtle. Take the banana, in Angood’s experience the fruit most frequently anthropomorphized in advertising, including on stickers. Most ubiquitous is Dole’s human-banana mascot Bobby Banana—often spotted on stickers leading an active lifestyle that includes soccer or basketball. Del Monte takes a similar tack, with a similarly anthropomorphized banana that loves volleyball, cycling, and open mics. The company also launched a series called “Bananimals,” which consisted of animals with various body parts replaced by bananas. (You can probably imagine the Bananapus.) All of them appear on stickers, and Angood has most of them. “The Dole Bananimals … a lot of them are very phallic,” she says. “I’m like, ‘Why have you got a penis for your hands?’ It’s obviously supposed to be a banana, but it’s really quite ridiculous.”

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Angood has noticed other, more inscrutable regional trends that she can’t quite explain. Many of the stickers she’s collected from growers in South America, for example, feature the image of a young child, likely from the grower’s family. “They take a picture of their youngest child and put it on fruit,” Angood says. “One time I saw one that wasn’t a child but a family dog.” In another strange trend, some growers mimic the design of a well-known brand to draw attention, such as a rip-off Rolex logo used on bananas in the Philippines. Angood’s isn’t the only Instagram out there that chronicles the surprising artistry of fruit packaging. Australian artist Sean Rafferty runs @cartonographer, dedicated to the cardboard crates used for fruit and vegetables in Australia. In a recent exhibition in Sydney, Rafferty lined up his vast collection of boxes according to the latitude of origin of their former fruit inhabitants, creating a graphical, botanical map of Australia.

Two decades into her collecting, Angood has learned that several of the growers whose stickers she saved have since gone out of business. And as her Instagram presence grows, people have begun sending her stickers of their own so she can post them. An American woman sent Angood a collection of stickers from the 1960s through the 1980s. Now, Angood can’t help but spot the stickers wherever she goes. “I have my eyes peeled constantly,” she says. “I can spot a fruit sticker on the street. It’s become part of the way I live my life.”

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Found: The First Bee's Nest Made Entirely of Plastic

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Researchers in Argentina found the synthetic nest by chance.

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Last summer, scientists in South America were studying the impact agricultural practices have on the surrounding ecosystems, and specifically how natural areas and fields are pollinated as a result of their proximity to one another. In the midst of this analysis in San Juan, Argentina, the team of researchers made a totally unexpected discovery: a bee’s nest made completely from plastic.

San Juan is a region with a desert climate abutting the Andes that is nonetheless known for wine production, among other crops. Most growing operations there are family run, which provides a lot of data for those studying the relationships between human activity and nature. In this case, that means human-made materials finding their way into an unexpected place.

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“The nest was found in a chicory field for seed production in San Juan, Argentina,” says Mariana Laura Allasino of the National Agricultural Technology Institute, who coauthored a report on the find in the journal Apidologie. The nest belonged to a bee from the family Megachilidae, which are solitary bees that often build nest cells from material they collect, such as soil, bits of leaves, and even animal fur. In this case, the nest cells were made of “light blue plastic, of shopping bag consistency,” and “white plastic, thicker than the previous one,” Allasino says.

“Due to our activities, human beings are contributing to the ecosystem’s degradation and biodiversity loss,” says Allasino, via email. “The most fascinating thing about this finding is that it suggests the adaptive flexibility that certain bee species would have in the face of changes in environmental conditions.” It’s almost a positive message. While we can’t tell yet if the plastic was harming the bee or its ability to reproduce, she says, it is a demonstration of just how adaptable nature can be.

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Birds and other animals have long been known to incorporate pieces of plastic and other artificial materials into their nests, but it is quite rare to see among insects. In fact, the only other recorded case was when Canadian researchers discovered natural bee nests partially constructed with plastic (alongside natural materials) in 2013. The nest found by Allasino and her team is the first ever documented made entirely of plastic. “The replacement of natural materials by plastic could be due to a limitation in the availability of vegetation in the fields or an overabundance of waste, which could be directly related to the management of agricultural activity,” she says. “Plastic waste is something usual we can find in an agricultural field that comes from neighbors who throw waste in the fields or from the inputs of agricultural practices.”

The researchers in Argentina plan to analyze DNA from the dead larvae found in the plastic nest to confirm the exact species. (It’s not known whether the nest material had anything to do with the fate of the larvae.) “We will continue to set trap-nests for solitary bees to know the species that are present in the fields,” Allasino says, “and to increase the probability of finding another nest with the same characteristics as the one we already found.”

After Nearly Going Extinct, Washington’s Pygmy Rabbits Need Room to Grow

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Recovering the endangered critters will test society’s willingness to let nature reclaim a landscape.

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This story was originally published by High Country News and appears here as part of the Climate Desk collaboration.

In the rolling hills of the Columbia Basin in central Washington, a tractor kicked dust from a wheat field as an early May breeze filtered down from the Cascade Mountains rising in the west. In a patchwork of sagebrush and bunchgrass, Jon Gallie searched for the newest generation of North America’s smallest rabbit, the state and federally endangered Columbia Basin pygmy rabbit.

When not moving by memory through this reclaimed farmland, Gallie, an endangered species project leader for the Washington Department of Fish and Wildlife, traced his footsteps to dots on his phone marking den sites. In a city, he could easily pass for a Pokémon Go player, chasing fictional creatures in an imaginary digital realm. But the grapefruit-sized animals he was seeking are real, though elusive; after more than two hours of searching, all we found were empty burrows and an abundance of scat.

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Still, the salmon egg-sized droppings were an encouraging sign. That’s because a century of farming, development, and increasingly frequent and intense wildfires has fractured the habitat of the Columbia Basin pygmy rabbit; by the late 1990s, just a handful were left. In 2001, biologists captured 16 of the last few dozen rabbits. Nearly two decades of direct human intervention followed, a multi-pronged effort that saved the animals from being banished to stories, screens, and natural history textbooks. Pygmy rabbits now number in the hundreds in the Columbia Basin—but they remain far from a resilient and healthy population.

The rabbits have shown that they can rebound, however, as long as they have enough habitat to call home. The efforts to save these diminutive mammals illustrate a hard lesson: Even when scientists can breed an endangered species back to healthy numbers, protecting land and building bridges between dispersed populations remains a continuing challenge for recovery. For central Washington’s pygmy rabbits, humans have been the agents of both destruction and salvation. Now, the challenge is to also play the role of nurturer, giving the rabbits—and other endangered species—the space they need to reclaim a place on the landscape.

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We live in an age of extinction, driven by human contributions to climate change and habitat destruction. Facing these crises has meant making compromises that save some species, but also change them. Hundreds of vertebrates have blinked out in just the last century. When biologists captured the last known wild Columbia Basin pygmy rabbits in 2001 to start a captive breeding program, they hoped to keep the species from joining their ranks. And in a sense, they’ve succeeded, as the burrows and scat in the sagebrush show.

But early on, inbreeding produced sickly offspring and low reproductive rates. In 2004, the scientists—part of a collaborative effort between universities, zoos, and state and federal agencies—had to breed them with a closely related population, the Great Basin pygmy rabbit. This was a matter of “genetic rescue,” explained Stacey Nerkowski, a University of Idaho doctoral student who leads a team studying pygmy rabbit genetics.

The new genes staved off the complete loss of the population. While the last pure Columbia Basin pygmy rabbit died in 2008, unique genes that arose over millennia live on in the rabbits now munching sagebrush in central Washington. On average, about 25 percent of each rabbit’s genome comes from the wild rabbits collected in 2001. Nerkowski said the resilience of those genes—they continue to show up, generation after generation, because they help the rabbits survive there—shows the value of recovering local rabbits, rather than simply transplanting other pygmy rabbits into the Columbia Basin. “This isn’t just a rabbit we picked up in Wyoming; it has the unique genetics of this area,” Nerkowski said.

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After tromping through unfenced stands of sagebrush for most of the morning, Gallie and I hopped in his truck and headed south to another rabbit recovery area, in the Beezley Hills west of Ephrata, Washington. Here, sagebrush and bunchgrass, flourishes of wildflowers, wheat fields, and the dreaded invasive cheatgrass all intermix. In the Beezley Hills, land protected by The Nature Conservancy and a private landowner who has dedicated his property to pygmy rabbit conservation provides a habitat for reintroductions.

Biologists have been trying to re-establish the rabbits on the landscape since 2007, when wild reintroductions failed. After that unsuccessful attempt, the recovery team turned to semi-wild enclosures in 2011, to ease the transition from captivity to the starker realities of the rabbits’ natural habitat. Solid fences, irrigation systems, artificial burrows, and supplemental food provided the animals the amenities project leaders thought they needed to survive. The rabbits proliferated, but then, in the confined and artificial space, disease did as well, and in 2016, reproduction in the enclosures dropped by about 75 percent.

For the last two years, the recovery team has been using different enclosures, more mobile and spartan in nature, both to avoid disease transmission and better prepare the rabbits for life outside the fences. No supplemental feeding is offered, and other than some water laced with medicine to fight off an intestinal disease, the sagebrush-blanketed hillside is left in its natural state. As we walked through the main enclosure at Beezley Hills, both adults and baby rabbits scattered in blurs of fur, zigzagging through the chest-high sagebrush. When caught against a fence line, the rabbits froze, blending into the gray bushes and light brown soil.

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The changes have produced kits that survive better in the wild, allowing the recovery team to distribute them across the landscape. That’s vital to bringing back the rabbit, with the risk of population-decimating fires haunting its future—and its recent past. In the summer of 2017, the 30,000-acre Sutherland Canyon Fire wiped out the majority of rabbits in the area. As strong winds pushed the blaze over ridges and through draws, Gallie and his team quickly reconfigured the irrigation system in the Beezley Hills enclosure. They were able to save about one-third of the hundred-plus rabbits living there. But the threat to each of the three recovery areas remains in the fire-prone sagebrush, showing how important maintaining a wider swath of habitat is for the animals.

Fire doesn't just scorch pygmy rabbit colonies; it also imperils the ecosystem they depend on. Repeated fires that both propel and are fueled by the spread of invasive species like cheatgrass deliver a one-two punch of destruction to native species in sagebrush habitat.

Corinna Hanson manages more than 30,000 acres in central Washington for The Nature Conservancy with an eye toward preserving native habitat. That’s a constant challenge now, as summers get hotter and fires occur twice a decade instead of less than twice a century, the historical norm. “When I think about restoration, it’s almost like we can’t keep up,” she said. “But we’re not going to give up.” In talking about endangered species recovery, the focus is usually on the species itself. But, she said, “when you work to conserve a species, it always comes down to habitat management.”

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Expanding open space to connect the reintroduction areas, which are spread over about 40 miles and divided by roads, fields, sheer cliffs, and houses, would be the ultimate sign of success for the project, Gallie said. Tools to stitch together the fractured landscape include land preserved for habitat protection by The Nature Conservancy, and U.S. Department of Agriculture grant programs that pay farmers to take land out of production so wildlife can use it instead.

Gallie said communicating the goals of the recovery effort and building trust between people in town, farmers in the country, nonprofits, and government partners is key to the program’s success. “You can have the best scientists and the best habitats and the best approach in the world, but if everyone out here is skeptical and oppositional, it’s going to make things very difficult.” When he appears at community events and at farmers’ doors, Gallie said, the familiarity and trust he’s built show locals that the pygmy rabbit program isn’t some big government overreach happening in a faraway office. “It’s just me, the same guy you wave to everyday, with the same dirt on my boots.”

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Columbia Basin pygmy rabbits are far better off today than they were two decades ago, but their future remains tenuous. One fire could wipe out most of the population. And until they inhabit continuous corridors, where they can meet new mates and be less vulnerable to catastrophic fires, they’ll remain on the precipice of extinction.

Still, the species is gaining ground in a time when conservation is pervaded by stories of loss. The world is losing species. It’s losing habitat. And humanity is losing time to try to save the current biome from the worst impacts of climate change. But perhaps our biggest deficit, and greatest challenge, is our apathy toward that loss.

“When I get asked—‘Why do we need pygmy rabbits?’—I don’t always have the best answer,” Gallie said, as fine dust kicked up with each step we took through the sagebrush. “You either value biodiversity or you don’t, and if you don’t, there’s pretty much nothing I can say that’s going to make you go, ‘Oh, now I agree.’”

As a society, it’s often hard to agree on which species to save, which organisms are necessary to make an ecosystem whole, or if it even makes sense to try to prevent extinctions. In all of those debates, Gallie pointed out that we often forget the current moment is a blip in evolutionary history, and, regardless of human interventions, nature will continue to shape this landscape. In the end, he said, “Life always wins. It’s more our loss.”

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